When you’re writing by hand, where is your other hand? What story is the space between your two hands — your dominant hand and non-dominant hand — telling?
This poem considers the posture of the body when writing: writing a letter, writing a note, writing a poem. The poet pays attention to hands — when dancing, when speaking from the heart, in prayer. This poem invites the listener to slow down, to listen to the stories the body is telling by how it's held in small moments.
Aracelis Girmay is originally from Southern California and now lives in New York. She is the author of the poetry collections Teeth, Kingdom Animalia, and The Black Maria. Her essay "From Woe to Wonder" can be read in the Arts & Culture section of The Paris Review (June, 2020). Girmay recently edited How to Carry Water: Selected Poems of Lucille Clifton and she is on the editorial board of the African Poetry Book Fund.
Find the transcript for this show at onbeing.org.
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Maria Dahvana Headley — Beowulf
Michael Klein — Swale
Ray Young Bear — Our Bird Aegis
Suji Kwock Kim — Search Engine: Notes from the North Korean-Chinese-Russian Border
Amber McBride — ROLL CALL: NEW TAROT NAMES FOR BLACK GIRLS
Carl Dennis — Breath
Elisa Gonzalez — To My Twenty-Four-Year-Old Self
Ofelia Zepeda — Deer Dance Exhibition
Sandra Cisneros — When in Doubt
Kandace Siobhan Walker — Three Mangoes, £1
Francisco Aragón — Asleep You Become a Continent
Conor Kerr — Winter Songs
Valencia Robin — The Coup
Eugenia Leigh — How the Dung Beetle Finds Its Way Home
Poetry Unbound — Season 8 Trailer
Clint Smith with Krista Tippett — What We Know in the "Marrow of Our Bones"
BONUS: Truth-seeking and the Symphony of Language with Henri Cole
BONUS: Making Space for the Erotic with Aimee Nezhukumatathil
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