In this episode, I talk about Patricia Cardoso's feminist coming-of-age classic, "Real Women Have Curves" (2002). I discuss body image, factory work, the exploitation of immigrant labor, and the profoundly political and radical messages in the film. At the beginning of the episode, I also talk about recently re-watching Krzysztof Kieslowski's "The Double Life of Veronique" (1991).
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Original logo by Dhiyanah Hassan
Full Show Notes
All My Sources
I'm Still Here
Robert Eggers's 'The Witch' (2015)
Jean Negulesco's 'Humoresque' (1946)
Michael Curtiz's 'Mildred Pierce' (1945)
Mike Newell's 'Enchanted April' (1991)
Audrey Wells's 'Under the Tuscan Sun' (2003)
Michael Haneke's 'Funny Games' (1997)
Michael Haneke's 'Amour' (2012)
Jane Campion's 'Bright Star' (2009)
Jane Campion's 'In the Cut' (2003)
Wim Wenders's 'Wings of Desire' (1988)
Joachim Trier's 'Oslo August 31st' (2011)
Julie Dash's 'Daughters of the Dust' (1991)
George Sluizer's 'The Vanishing' (aka Spoorloos) (1988)
Lynne Littman's 'Testament' (1983)
Olivier Assayas's 'Clouds of Sils Maria' (2014)
John Cassavetes's 'Opening Night' (1977)
Charles Laughton's 'The Night of the Hunter' (1955)
Theo Angelopoulos's 'Landscape in the Mist' (1988)
Jean-Pierre Melville's 'Le silence de la mer' (1949)
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