0:00 Intro
0:36 Start
1:26 When did you start your YouTube channel, and when did you shift from recording performances to research into Whole Beat?
6:22 Which composers used the clavichord?
9:01 Did playing the Clavichord change the way you played Organ?
11:06 What is the Clavichord's touch like?
12:55 Piano vs Clavichord
18:21 What if we had to reconstruct jazz without having access to any sound recordings but rely only on written transcriptions
30:21 Weren't there musical mechanical clocks during Haydn's time that captured authentic 18th-century musical performance practice?
34:22 What is the Whole Beat Metronome Principle (WBMP)?
36:45 Wim responds to people playing Czerny at single beat tempo
47:18 If Whole Beat is true, why do students and eye-witnesses of the great composers play so fast?
54:31 Was Beethoven's metronome broken?
57:56 Don't the flyers and concert bills that advertise the concerts of these composers invalidate Whole Beat because the concerts would be too long as opposed to their actual advertised length?
1:03:11 What has been the general response to your research overall?
1:08:57 Injuries: The unspoken dark side of performance careers in Classical music
1:14:55 Beethoven recording gets canned because the musicians' careers got threatened
1:15:48 The most powerful classical music agent Ronald Wilford wouldn't allow Cyprien Katsaris to record/perform piano transcriptions if under contract
1:16:22 What does Wim think of partimento and classical improvisation?
1:20:46 Wim's favorite composers
1:23:13 Great compositions sound great slowed down, maybe even better than how they are typically played fast today
1:30:46 Whole Beat can't work because vocal music is impossible if singers have to hold notes that long
1:38:42 Carl Czerny: Whole Beat or Single Beat?
1:38:46 Beethoven: Whole Beat or Single Beat?
1:38:50 Mozart: Whole Beat or Single Beat?
1:39:04 Franz Liszt: Whole Beat or Single Beat?
1:39:14 Did Paris Conservatory graduates historically think in terms of Whole Beat?
1:39:28 Alkan: Whole Beat or Single Beat?
1:39:39 Tchaikovsky: Whole Beat or Single Beat?
1:39:49 Rachmaninoff: Whole Beat or Single Beat?
1:40:54 Debussy and Ravel: Whole Beat or Single Beat?
1:43:50 Rimsky-Korsakov and Stravinsky: Whole Beat or Single Beat?
1:44:13 What tempo should people play Bach?
1:45:23 Wrapping Up
1:47:10 Outro
157: Ewald Demeyere (Fedele Fenaroli's Partimenti and Pedagogy)
154: Partimento Panel (Gjerdingen, Sanguinetti, van Tour, Cafiero)
174: Niels Berentsen (1300-1500 Polyphony | Improvising Vocal Counterpoint)
167: Solfeggio Panel (Baragwanath, Gjerdingen, IJzerman, van Tour)
177: Robert O. Gjerdingen (Music Schema Theory)
156: Peter Schubert (Palestrina, Fux, Counterpoint)
141: Job IJzerman (Harmony, Counterpoint, Partimento)
139: Peter Seivewright
138: Nicholas Baragwanath
137: Derek Remes
136: Peter Schubert
134: Robert Gjerdingen and Giorgio Sanguinetti
133: Patrick Ayrton
132: Jonathan Salamon
131: Johannes Menke
129: Nicole DiPaolo
128: Adem Merter Birson
126: Robert Gjerdingen
125: Riccardo Castagnetti
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