0:00 Intro
0:36 Start
1:59 St. Pius X's Motu Proprio "Tra Le Sollecitudini"
5:16 How did the Council of Trent affect Gregorian chant?
5:54 What do you think of Organum and composers like Léonin and Pérotin?
6:45 Johann Joseph Fux
14:53 Knud Jeppesen
26:54 Did Palestrina improvise or play the organ?
28:39 Bach played on the accordion
30:36 The Lute
31:44 Exultate iusti by Viadana, sung by the Sistine Chapel in 1925
36:34 Historically Informed Performance Practice
39:33 Has improvised counterpoint pedagogy become more prevalent in today's university music curriculums?
41:29 Professor Schubert's YouTube Channel/s
43:07 19th century counterpoint
47:03 Nadia Boulanger
50:07 Counterpoint for modern composition
52:59 Wrapping Up
53:20 Outro
157: Ewald Demeyere (Fedele Fenaroli's Partimenti and Pedagogy)
154: Partimento Panel (Gjerdingen, Sanguinetti, van Tour, Cafiero)
174: Niels Berentsen (1300-1500 Polyphony | Improvising Vocal Counterpoint)
167: Solfeggio Panel (Baragwanath, Gjerdingen, IJzerman, van Tour)
177: Robert O. Gjerdingen (Music Schema Theory)
141: Job IJzerman (Harmony, Counterpoint, Partimento)
140: Wim Winters (Whole Beat Metronome Principle)
139: Peter Seivewright
138: Nicholas Baragwanath
137: Derek Remes
136: Peter Schubert
134: Robert Gjerdingen and Giorgio Sanguinetti
133: Patrick Ayrton
132: Jonathan Salamon
131: Johannes Menke
129: Nicole DiPaolo
128: Adem Merter Birson
126: Robert Gjerdingen
125: Riccardo Castagnetti
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