Most widely recognized for his paintings that rigorously combine spray paint, stenciled geometric forms, and brushstrokes, the Brooklyn-based artist Adam Pendleton is also known for his “Black Dada” framework, an ever-evolving philosophy that investigates various relationships between Blackness, abstraction, and the avant-garde. Many will recognize Pendleton’s work from “Who Is Queen?,” his 2021 solo exhibition at New York’s Museum of Modern Art, which he has said was his way of “trying to overwhelm the museum.” This is a natural position for him: His works in and of themselves are often overwhelming. At once political and spiritual, they provoke deep introspection and consideration, practically demanding viewers to look, and then look again.
On this episode, he discusses the elusive, multifarious nature of “Black Dada”; “An Abstraction,” his upcoming exhibition at Pace Gallery in New York (on view from May 3–August 16); painting as a kind of technology; and why, for him, jazz is indefinable.
Special thanks to our Season 9 presenting sponsor, L’École, School of Jewelry Arts.
Show notes:
Adam Pendleton
[05:00] Joan Retallack
[05:00] Pasts, Futures, and Aftermaths
[05:22] “Becoming Imperceptible”
[07:41] Ishmael Houston-Jones
[07:41] Joan Jonas
[07:41] Lorraine O’Grady
[07:41] Yvonne Rainer
[07:41] Jack Halberstam
[14:26] Fred Moten
[05:22] “Who Is Queen?”
[23:50] Hugo Ball’s Dada Manifesto
[23:50] Amiri Baraka’s “Black Dada Nihilismus”
[31:14] Isabella Stewart Gardner Museum
[31:14] “System of Display”
[31:14] “Reading Dante”
[34:40] “Adam Pendleton” at Pace Gallery
[34:40] “An Abstraction” at Pace Gallery
[34:40] Arlene Shechet
[34:40] “Adam Pendleton x Arlene Shechet”
[40:30] “Blackness, White, and Light” at MUMOK
[45:07] “Twenty-One Love Poems” by Audrienne Rich
[50:40] “Occupy Time” by Jason Adams
[56:04] “What It Is I Think I’m Doing Anyhow” by Toni Cade Bambara
[57:13] “Some Thoughts on a Constellation of Things Seen and Felt” by Adrienne Edwards
Thaddeus Mosley on Making Art to Be Appreciated for Centuries
Paul Smith on Imbuing Clothing With Joy and Humor
Lucy Sante on on Transitioning Into Herself at Long Last
Ilse Crawford on Creating Lasting, “Living” Spaces
Massimo Bottura on Ethics, Aesthetics, and Slow Food
Helen Molesworth on Museums as Machines for Slowness
Annabelle Selldorf on Architecture as Portraiture
Walter Hood on Connecting People and Place Through Landscape Architecture
Min Jin Lee on the Healing Power of Fiction
Mira Nakashima on Keeping Her Father’s Woodworking Legacy Alive
Ian Schrager on Consistently Capturing the Zeitgeist
Sanford Biggers on Patching Together the Past, Present, and Future Through Art
Edmund de Waal on Pottery, Poetry, and the Act of Letting Go
Trent Davis Bailey on Finding Family and Community Through Photography
Robert Wilson on the Wonder to Be Found in Time, Space, and Light
José Parlá on Coming Back to Life Through Art
Tom Dixon on Designing With Longevity in Mind
Jessica B. Harris on Making Vast Connections Across African American Cooking and Culture
Samuel Ross on the Art of “Awakening” Materials
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