In Minute 76 of The Whole Shebang, Mike and Jenny look at Mandy’s discovery of the empty bedroom and the very perfunctory and telegrammatic goodbye note that Brian leaves, other brief notes from pop culture (including Cabaret and a very interesting Twitter account featuring Postcards from the Past), Brian’s reference to Hammersmith, the real-life Hammersmith Odeon/Apollo, and some of the big artists who’ve performed there, including Bowie, Kate Bush, and Eddie Izzard (and the reference to it in the title of Motörhead’s classic live album No Sleep ‘Till Hammersmith), then we swing back to 1984 and judge Arthur’s skill as a journalist, how he’s changed from the vulnerable kid we’ve been seeing in the 1970s portions of the movie, the meaningful look that Mandy gives the barman, and his cornering Mandy to get the final bits of the breakup story from her.
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The Whole Shebang Minute 120: Byeee
The Whole Shebang Minute 119: Any Similarity to Persons Living or Dead is Highly Intentional
The Whole Shebang Minute 118: Microfiche vs. Swordfights
The Whole Shebang Minute 117: I Shouldn’t Have Laughed At The Clapper Loader
The Whole Shebang Minute 116: Grips and Gaffers and Boys, Oh My!
The Whole Shebang Minute 115: Fade Away Never
The Whole Shebang Minute 114: The Curtain Call
The Whole Shebang Minute 113: JENNY’S THEORY!!!! OMG.
The Whole Shebang Minute 112: All Kinds of Shenanigans
The Whole Shebang Minute 111: Plosive and Penultimate
The Whole Shebang Minute 110: Changing Worlds, Changing Selves
The Whole Shebang Minute 109: The Curt Wild Zoom
The Whole Shebang Minute 108: Don’t Be A Dick At The Wrap Party
The Whole Shebang Minute 107: Indie Bands Don’t Revolve
The Whole Shebang Minute 106: A Tartan Rug and a Thermos of Bovril
The Whole Shebang Minute 105: Phantom of the Opera vs. Close Encounters
The Whole Shebang Minute 104: Romantic Folderol
The Whole Shebang Minute 103: The Easy Mode of Undressing
The Whole Shebang Minute 102: Fan-tasy
The Whole Shebang Minute 101: Is It Carthur or Arurt?
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