In this episode I have a chat with GRAMMY nominated conductor and composer, Benedict Sheehan of the St. Tikhon Monastery Choir. This passionate conversation begins with Benedict’s advocacy for people, like himself, who stutter. As you will hear, it is important that we remember that EVERYONE has something to say. We need only listen. We then discuss the ways the GRAMMY nominations changed his routine, his love of the Orthodox Church music tradition and how it has shaped his sound aesthetic. Finally, we approach the concept of the “composer’s voice,” and the importance of a frame of reference from which to approach the music. Tune in to hear these items and more discussed on the Choralosophy Oxford series!
Two-time GRAMMY® nominee and American Prize-winner Benedict Sheehan has been called “a choral conductor and composer to watch in the 21st century” (ConcertoNet) and “a remarkable musician” (Choral Journal). He is Artistic Director and Founder of the Saint Tikhon Choir and Artefact Ensemble, and Director of Music at St. Tikhon’s Monastery and Seminary in Pennsylvania. His works are published by Oxford University Press and others, and his award-winning choral recordings and performances have received widespread critical acclaim.
Described as “an up-and-coming conductor” (The Oregonian), “a rising star in the choral world” (Catholic Sentinel), and as having “set the bar for Orthodox liturgical music in the English-speaking world” (Orthodox Arts Journal), composer and conductor Benedict Sheehan is Director of Music at St. Tikhon’s Seminary and Monastery in Pennsylvania, Artistic Director of professional vocal ensemble The Saint Tikhon Choir, and CEO and co-founder of the Artefact Institute, a collective of “culture creators.” Working closely with his wife Talia Maria Sheehan, a professional vocalist and visionary music educator, the Sheehans have become two of the most sought-after clinicians in Orthodox sacred music in America. Benedict has appeared frequently as a guest conductor with the professional vocal ensemble Cappella Romana, where his performances of Rachmaninoff’s All-Night Vigil had one reviewer so “emotionally overwhelmed” that she was “attempting to hold back tears” (Oregon ArtsWatch). In 2018 he was instrumental in producing the monumental world premiere of Alexander Kastalsky’s Requiem for Fallen Brothers (1917) at the Washington National Cathedral. The project culminated in a 2020 Naxos recording on which Sheehan served as a Chorus Master and an Executive Producer. Benedict is in high demand as a composer. His works have been performed by the Grammy-nominated Skylark Vocal Ensemble, the Grammy-nominated PaTRAM Institute Singers, Cappella Romana, the William Jewell Choral Scholars, Te Deum, the Pacific Youth Choir, and many others. His new work Gabriel’s Message was recorded and released in 2020 by John Rutter, Bob Chilcott, and The Oxford Choir. Skylark’s recent recording Once Upon A Time (2020) features a “story score” by Benedict which has been called “evocative” (Gramophone), “quite extraordinary” (Limelight), “brilliant” (MetroWest Daily News), and “otherworldly” (Boston Musical Intelligencer). His music is published by Oxford University Press, Artefact Publications, Musica Russica, MusicSpoke, and St. Tikhon’s Monastery Press. Benedict lives in Pennsylvania with his wife and seven daughters.
Episode 200: Expanding the Boundaries of Choral Music with Katerina Gimon
Episode 199: Singing Alone, “The Boogey Man in the Closet”
Episode 198: Beating the Odds Through Choral Music with Steven Hankle
Episode 197: Ripping off the Band-Aid Volume 2
Episode 196: Educating the Anxious Generation
Episode 195: Elementary Choirs-Our Manhattan Project with Bruce Rockwell
Episode 194: A Round Peg Voice in a Square Hole Choir with Timothy Mount
Episode 193: The Aeolian Way with Jeremy Sovoy Jordan
Ep 192: Music Literacy for All: Debunking Myths and Embracing Diversity by Odell Zeigler
Episode 191: Rise Up and Sing with Shanan Estreicher
Episode 190: Girls Voices Change Too! With Dr. Bridget Sweet
Episode 189: Can We Meet Kids Where They Are Without Lowering Standards? With Jonathan Talberg
Episode 188: Why Don’t Boys Want to Sing? With Martin Ashley
Episode 187: Five Years of Changing and Expanding the Conversation and
Episode 186: It’s Time for Anti-Racism with Love, with Chloé Valdary
Episode 185: Bringing the Wisdom of Hebrew Texts into the Choral Canon with Nicholas Weininger
Episode 184: Should We Stop Assessing Sight Reading at All State Choir? With Drs. Marshaun Hymon and Chantae Pittman
Episode 183: At a Crossroads in Higher Ed with Lynn Atkins
Episode 182: Getting off on the Right Foot with a Young Teacher Panel
Episode 181: Finding Equilibrium in the Teacher Life with Jimmy Robertson
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