In this episode, I talk about Robert Wise's 1963 cult classic, "The Haunting." It's based on Shirley Jackson's 1959 novel "The Haunting of Hill House," and stars Julie Harris as Eleanor Lance, a young woman who joins three people at a haunted house to investigate paranormal phenomena. Eleanor has spent over a decade caring for her invalid mother who has recently died. I explore how this film represents psychological disintegration and a woman searching for belonging as well as how the film uses sound and cinematography to create a frightening, claustrophobic atmosphere. At the beginning of the episode, I also talk about the recent news that Filmstruck is shutting down.
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Original artwork by Dhiyanah Hassan
Full Show Notes:
I'm Still Here
Robert Eggers's 'The Witch' (2015)
Jean Negulesco's 'Humoresque' (1946)
Michael Curtiz's 'Mildred Pierce' (1945)
Mike Newell's 'Enchanted April' (1991)
Audrey Wells's 'Under the Tuscan Sun' (2003)
Michael Haneke's 'Funny Games' (1997)
Michael Haneke's 'Amour' (2012)
Jane Campion's 'Bright Star' (2009)
Jane Campion's 'In the Cut' (2003)
Wim Wenders's 'Wings of Desire' (1988)
Joachim Trier's 'Oslo August 31st' (2011)
Julie Dash's 'Daughters of the Dust' (1991)
George Sluizer's 'The Vanishing' (aka Spoorloos) (1988)
Lynne Littman's 'Testament' (1983)
Olivier Assayas's 'Clouds of Sils Maria' (2014)
John Cassavetes's 'Opening Night' (1977)
Charles Laughton's 'The Night of the Hunter' (1955)
Theo Angelopoulos's 'Landscape in the Mist' (1988)
Jean-Pierre Melville's 'Le silence de la mer' (1949)
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