This week, we take a brief pit stop in our crazy ride through 1992 for something extra special: an intimate chat with Tori Amos, whose groundbreaking debut solo album, Little Earthquakes, paired pianos and guitars — and shook the music world to its core.
In an expanded interview from episode 5, the singer-songwriter discusses the uphill battle she faced to get the record made, the lasting impact of her very personal tracks “Silent All These Years” and “Me and a Gun,” how being a woman in the music industry has changed, and her work as the first spokesperson for the Rape, Abuse & Incest National Network (RAINN).
Be sure to tune in next week for our final episode, which explores how in 1992 musicians like George Michael, Madonna, Elton John, Queen, U2, and TLC confronted the AIDS crisis head-on.
See omnystudio.com/listener for privacy information.
Pop Music Takes on AIDS
Arrested Development: Hip-hop’s Lost Poets
Vanessa Williams’ "Save the Best for Last": The Moon and June Song
Nirvana vs. Guns N' Roses: Overboard and Self-Assured
“November Rain”: Requiem for a Hair Band
The Year of Scandal, Part 2: Sinéad O’Connor Takes on the Pope
Bonus Booty: A Juicy Chat With Sir Mix-a-Lot About "Baby Got Back"
Bound for Mu Mu Land: When Tammy Wynette Met the KLF
Before MeToo, "Me and a Gun": Tori Amos’ 'Little Earthquakes'
The Year of Scandal, Part 1: Ice-T and Body Count’s “Cop Killer”
The Man and the Mullet: Billy Ray Cyrus’ Party in the Back
Damn, I Wish I Was Your Constant Craving: The Year of the Lesbian Anthem
“Baby Got Back”: The Story Behind the Behind
Introducing: Where Were You in '92?
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