We lobbed the feathered arrows of enquiry at the rock and roll dartboard this week and these got the highest scores …
… rock stars v the new league of the Super-Rich.
… package tours of the mid-‘60s – eight acts, an interval, a compere plus God Save the Queen.
… ‘Hits, Flops and Other Illusions’ by Edward Zwick and the fantastic tale about arrogance, money-squandering and Julia Roberts at the Halcyon Hotel.
... pop music used to be about persuading people to cut loose; now it’s about getting them to tighten up.
… why you can read Ron Wood’s memoir as either comedy or tragedy.
.. Chris Blackwell’s post-production trickery that sold Bob Marley to a rock audience.
… Master Tape Rescue: the arduous task of panning for gold.
... and why there should be a movie about the making of Shakespeare in Love.
Plus birthday guest Chuck Loncon in Savannah, Georgia – Neil Young v Spotify, Lady Antebellum, the Dixie Chicks and the tangled world of political correctness.
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Guy Chambers - writing with Robbie, a tangle with Bowie & half a bagel with Paul McCartney
Alan Edwards, pop PR – ‘Bowie was like King Arthur and the Spice Girls like the Pistols’
Rock’s image-makers, men on dancefloors and why bands can’t act like bands anymore
Paul Carrack has seen it all – beat, soul, prog, pub rock, pop & the perfect ‘slow burn’ career.
Nige Tassell was so obsessed with Dexys he’s tracked down all 24 ex-members
Why Nick Mason’s “cottage industry” band plays just early Pink Floyd
Let It Be revisited, the wisdom of Steve Albini and a woeful tale about Steve Marriott
The genius of Little Feat, the Man with the Twang & pop’s greatest scandal in the making
Steve Diggle of the Buzzcocks remembers the day “a terrible beauty was born”
Rock snobbery, the seven wives of Gregg Allman & the greatest solo on a pop record
Harold Bronson of Rhino Records kept a 40-year rock and roll diary…
The “amniotic throb” of modern pop, the eternal life of the Top Gear theme and the Blue Nile’s lucky break
Neil Tennant remembers life “with dyed red Bowie hair and clattering platforms”
Richard Thompson – “you know it’s time to go when the audience starts throwing chairs”
Neil Tennant remembers the pop press and “the last great era of forward-looking songs"
The Stones’ clothes, our love affair with Abba & rock’s most appalling spectacle
Big Characters we have loved and why the Clash wouldn’t last ten minutes in 2024
How Paul Cook broke into Hammersmith Odeon to see the Who, Slade, Queen & Alex Harvey
Sharleen Spiteri saw Joe Strummer onstage and thought “that’s what I want to be”
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