Everyday Injustice Podcast Episode 318: From Soldier to Storyteller

Jerry “JD” Mathis on Reentry, Shame, and Finding a Voice On this episode of the Everyday Injustice podcast, host David Greenwald speaks with Jerry “JD” Mathis, an award-winning author, PEN America Writing for Justice Fellow, and formerly incarcerated writer whose work centers on mass incarceration, reentry, and the redemptive power of storytelling. Mathis’ life arc—from decorated National Guard soldier to federal prison camp to acclaimed writer—offers a stark case study in how a single mistake can permanently alter a life, and how narrative becomes a way to survive what comes after. Mathis recounts how, at age 20, he was convicted in federal court for his role in covering up the theft of a machine gun from his National Guard unit, a crime that resulted in a two-year prison sentence while the primary offender was never charged. Once celebrated as a top gunner and model soldier, Mathis found himself publicly branded, prosecuted as a dangerous figure, and thrust into a criminal legal system that treated him not as a young person who made a grave error, but as a permanent threat. The punishment, he explains, did not end with his release. The conversation centers on reentry as what Mathis calls the “hidden punishment” of incarceration: the long afterlife of stigma, unemployment, restricted housing, and social exclusion that follows people long after they leave custody. Drawing on his own struggles—and comparative models like Norway’s—Mathis argues that the United States systematically undermines public safety by making successful reentry nearly impossible. Rather than addressing trauma, addiction, or the structural causes of harm, the system relies on exclusion and moral judgment, pushing people further to the margins. Ultimately, Mathis describes how writing became a way to reclaim a stolen narrative. Through the PEN America Writing for Justice Fellowship, he finally found the language to tell his story without shame—first to the public, and then to his daughters. That act of storytelling, he says, was not only personal catharsis but political intervention: a refusal to let prosecutors, headlines, or stigma define who he is. The episode is a powerful meditation on punishment, identity, and what it actually takes to rebuild a life after prison.