On today’s date in 1692, London audiences were treated to lavish theatrical entertainment with The Fairy Queen.
This show was loosely based on Shakespeare’s comedy A Midsummer Night’s Dream, a play already 100 years old in 1692. To make it more in line with contemporary taste, characters were added or cut, and scenes shifted around to such an extent that Shakespeare, were he alive to see it, would be hard put to recognize much of his original concept. Musical sequences were also expanded, and the producers hired the leading British composer of the day to write them. His name was Henry Purcell, and The Fairy Queen would turn out to be the biggest success of his career.
In addition to writing the show’s songs and dances, Purcell provided music to entertain the audience as they entered and exited the theater or stretched their legs during intermission.
The good news is no expense was spared in the show’s production. The bad news was the show’s producers barely recovered their expenses. Subsequent productions, they decided, would be less flashy, but, recognizing the quality of Purcell’s music, they signed him for their next extravaganza.
Henry Purcell (1659-1695): The Fairy Queen; Le Concert des Nations; Jordi Savall, conductor; Auvidis 8583
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