Telling some of the story of the Flower Wars of the Aztec era, Nico Amador’s poem pits wars against creation. In a poem that begins by recalling creation myths from multiple cultures, he then poses questions about why: Why would people sacrifice their own people to keep a god happy? Why would any god benefit from people’s deaths? Evoking how the Flower Wars contributed to the Aztec downfall, this poem also wonders about wars today: Who benefits from a war? Who decides who should die? Why?
Nico Amador has been published in a number of journals and anthologies. His chapbook, Flower Wars, was selected as the winner of the Anzaldúa Poetry Prize and was published by Newfound Press in 2017. He is a grant recipient of the Vermont Arts Council, an alumni of the Lambda Literary Foundation's Writers Retreat and an MFA candidate at Bennington College.
Find the transcript for this show at onbeing.org.
Thomas Lux — Refrigerator, 1957
Rita Wong — flush
Maria Dahvana Headley — Beowulf
Michael Klein — Swale
Ray Young Bear — Our Bird Aegis
Suji Kwock Kim — Search Engine: Notes from the North Korean-Chinese-Russian Border
Amber McBride — ROLL CALL: NEW TAROT NAMES FOR BLACK GIRLS
Carl Dennis — Breath
Elisa Gonzalez — To My Twenty-Four-Year-Old Self
Ofelia Zepeda — Deer Dance Exhibition
Sandra Cisneros — When in Doubt
Kandace Siobhan Walker — Three Mangoes, £1
Francisco Aragón — Asleep You Become a Continent
Conor Kerr — Winter Songs
Valencia Robin — The Coup
Eugenia Leigh — How the Dung Beetle Finds Its Way Home
Poetry Unbound — Season 8 Trailer
Clint Smith with Krista Tippett — What We Know in the "Marrow of Our Bones"
BONUS: Truth-seeking and the Symphony of Language with Henri Cole
BONUS: Making Space for the Erotic with Aimee Nezhukumatathil
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