Footnote #8 offers a brief detour to the abridged and incomplete animated writings of Russian filmmaker Sergei Eisenstein from the 1940s, and in particular his notorious concept of “plasmaticness” that he argued was a way of understanding the appeal and attraction of Walt Disney’s cartoon images. Listen as Chris and Alex discuss the historical, political, technological, and aesthetic dimensions of “plasmaticness” and the term’s relationship to the Hollywood “rubberhosing” style; the “irresistible changeability” of Disney’s reforming bodies and how, for Eisenstein, such figures momentarily took spectators back to a pre-conscious mode of existence; Disney’s own artistic shift away from plasmatic impulses towards a “hyper-realist” sensibility; and the contemporary digital afterlives of Eisenstein’s animated approach to transformation, character, and movement.
**Fantasy/Animation theme tune composed by Francisca Araujo**
Footnote #48 - Visual Effects
Dungeons & Dragons - The Fantasy Adventure Board Game (with Cat Mahoney)
Footnote #47 - Aura
Toy Story (1995) (with Lucy Fife Donaldson)
Footnote #46 - Multiplanarity
Indiana Jones and the Dial of Destiny (2023) (with Sarah Thomas)
Footnote #45 - The Disney Renaissance (with Peter Kunze)
Beauty and the Beast (1991) (with Peter Kunze)
Footnote #44 - Hanna-Barbera (with Jared Bahir Browsh)
The Flintstones (1960-1966) (with Jared Bahir Browsh)
Footnote #43 - Disney Princesses (with Robyn Muir)
Wish (2023) (with Robyn Muir)
Footnote #42 - Tolkien’s On Fairy Stories
The Lord of the Rings: The Return of the King (2003)
Footnote #41 - Canons
Life, Animated (2016) (with Janet Harbord)
Footnote #40 - Puppetry
The Dark Crystal (1982) (with Tanya Kirk)
Arthur Christmas (2011)
Footnote #39 - Special Effects
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