S3E93 Ash is again joined by Trish Grisafi to talk about her book Breaking Down Plath as well as Plath's relationship with feminism, the changing reputation of Plath and the "Plath phase".
Follow Trish on Twitter here: @PatriciaGrisafi
And visit her website: http://www.patriciagrisafi.com/about-1
Title Music: 'Not Drunk' by The Joy Drops. All other music by Epidemic Sound.
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‘Kookaburra’ (1998) by Frieda Hughes
‘Address to Edinburgh’ (1786) by Robert Burns
“Ominous Whoosh”: John Thorne on Twin Peaks
‘Stings’ (1962) by Sylvia Plath
“I Felt Like I Was Cheating on Plath”: Peter K. Steinberg on the Writings of Assia Wevill
‘The Swarm’ (1962) by Sylvia Plath
‘Electra on Azalea Path’ (1959) by Sylvia Plath
“My Mother’s Legacy is Secure”: Kate Levey on Brigid Brophy
The Snow Ball (1964) by Brigid Brophy
“Shakespeare’s Tutor”: Darren Freebury-Jones on The Influence of Thomas Kyd
The Birth of Merlin (1622) by William Rowley
The Spanish Tragedy (1587) by Thomas Kyd
Now Westlin Winds (1785) by Robert Burns
“A Festival that Focuses on Female Voices”: Sarah Corbett on Directing Plath Fest
‘November Graveyard’ (1956) by Sylvia Plath
“This Tender Substance”: Donnie Secreast on Plath’s Universal Element
‘Hardcastle Crags’ (1958) by Sylvia Plath
”It’s a Rigorous Demand”: Emily Van Duyne on Loving Sylvia Plath
‘The Jailor’ (1962) by Sylvia Plath
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