S3E82 Ash is joined once again by poet Sarah Corbett to discuss her writing, both poetry and fiction, her vision for The Sylvia Plath Literary Festival and its accompanying anthology, After Sylvia. Follow the festival for updates on digital events here:
@plathfest
And follow Sarah on Twitter:
@sarahcorbett70
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Title Music: 'Not Drunk' by The Joy Drops. All other music by Epidemic Sound.
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‘Kookaburra’ (1998) by Frieda Hughes
‘Address to Edinburgh’ (1786) by Robert Burns
“Ominous Whoosh”: John Thorne on Twin Peaks
“Plath’s Not a Phase”: Trish Grisafi on Breaking Down Plath
‘Stings’ (1962) by Sylvia Plath
“I Felt Like I Was Cheating on Plath”: Peter K. Steinberg on the Writings of Assia Wevill
‘The Swarm’ (1962) by Sylvia Plath
‘Electra on Azalea Path’ (1959) by Sylvia Plath
“My Mother’s Legacy is Secure”: Kate Levey on Brigid Brophy
The Snow Ball (1964) by Brigid Brophy
“Shakespeare’s Tutor”: Darren Freebury-Jones on The Influence of Thomas Kyd
The Birth of Merlin (1622) by William Rowley
The Spanish Tragedy (1587) by Thomas Kyd
Now Westlin Winds (1785) by Robert Burns
‘November Graveyard’ (1956) by Sylvia Plath
“This Tender Substance”: Donnie Secreast on Plath’s Universal Element
‘Hardcastle Crags’ (1958) by Sylvia Plath
”It’s a Rigorous Demand”: Emily Van Duyne on Loving Sylvia Plath
‘The Jailor’ (1962) by Sylvia Plath
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