How is music made? Not how do record companies work, but how is music made? And where does it go after we're done with it? According to Kyle Devine, a professor of Musicology at the University of Oslo, we’ve all been paying far too little to this story, closing our eyes to the environmental implications of our favorite sounds. Kyle talks to Saxon and Sam about his book “Decomposed: The Political Ecology of Music,” an eye-opening exploration of the material infrastructure that lies behind vinyl disks (and internet apps). The cloud, by the way? It’s a place. And it burns gas just like the rest of us. [Originally Aired 10.27.21]
Karaoke and Personal Pop
Millennials Nostalgia Tour
Keep on Streamin’ in the Free World
A Living Wage and a Tik Tok Ban: Could…Congress Transform Music?
Imagine Dragons: The Most Popular Band of the Millennium?
Universal VS. TikTok: The Showdown No One Should Have Wanted
Pitchfork, GQ, and the Music Criticism Lifestyle
Royalty Rumble at Spotify and a Crisis at Hipgnosis
BMI Sells Out
Can You Actually Support This Podcast On Patreon? (w/Penny Fractions)
E-Zoo and the Future of Nightlife
Bandcamp Blues: (Penny Fractions 4 Nothing)
Scooter, Baby! The Life and Times of the Most 2010’s Manager You Can Possibly Imagine
Moog’s World: The Story Behind the Synthesizer Behind Modern Music (feat. Albert Glinsky)
State of Pl-A(i) With Cherie Hu
Astroworld and the opposite of ”Utopia”
Super Fans and Super Strikes
Ambient Music: Functionality and Liberating Potentials
K-Pop Merger Mania (feat. the Idolcast)
Merlin and What It Means (and Meant) to be Indie
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