They say that every good screenplay needs conflict, and Damien Chazelle’s first story ‘Whiplash’ delivers it on every page. In this episode The 21st Rewrite is looking at the tale of the teacher who goes too far, and asks if Terrence Fletcher is a well-meaning character with flawed methods or a true villain? The discussion also touches upon details about what was removed from the screenplay: Andrew taking drugs, some more personal details about Fletcher’s personal life, and a fascinating commentary on what Hungarian psychologist László Polgár has to do with all of this.
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Eye in the Sky (2015) - with Guy Hibbert
The Village - Writers' Workshop
Sully (2016) — with Todd Komarnicki
1917 - Writers' Workshop
Oscars 2021: The Father, Promising Young Woman and all of the Screenwriting Nominees
Locke (2013) - Screenplay by Steven Knight
A.I. Artificial Intelligence (2001) - Screenplay by Steven Spielberg
Ad Astra (2019) with Zosha Millman - Screenplay by James Gray and Ethan Gross
The Rider (2017) with Kira-Anne Pelican - Screenplay by Chloé Zhao
The Sense of an Ending (2017) with Alistair Owen - Screenplay by Nick Payne
The Young Woman (2020) with Edward Drake - Screenplay by Edward Drake
Beats (2019) with Kieran Hurley - Screenplay by Kieran Hurley
Alpha (2018) with Christine Schreyer and Dan Wiedenhaupt - Screenplay by Dan Wiedenhaupt
There Will Be Blood (2007) with Ralph Leonard - Screenplay by Paul Thomas Anderson
Hotel Mumbai (2018) with John Collee - Screenplay by John Collee and Anthony Maras
The 21st Recap (Season Two) - Year-In-Review and Awards
Three Billboards Outside Ebbing, Missouri (2017) - Screenplay by Martin McDonagh
Children of Men (2006) - Screenplay by Alfonso Cuarón, Timothy J Sexton, David Arata, Mark Fergus & Hawk Ostby - Writing a Movie - Review
Black Swan (2010) - Screenplay by Mark Heyman, Andres Heinz and John McLaughlin - Writing a Movie - Review
Master and Commander: The Far Side of the World (2003) with Everett Rummage - Screenplay by John Collee - Writing a Movie - Review
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