Guest artist ANNA PERACH
joins ELIZABETH FULLERTON to discuss her work via 'The Victorian Chaise Longue' 1953 by Marghanita Laski. The novel describes the experience of a charming yet childish lawyer's wife who wakes up in the body of her alter-ego eighty years previously. It's a chilling tale of entrapment, which closely links to Anna's sculptural work as she reacts to female stereotypes, trapped in their societal roles, trapped in her tufted wool costumes.
ANNA PERACH
annaperach.com
instagram anna_perach
Symbolic Prose and Personal Politics (HELEN JOHNSON)
Closure Difficulties and Performative Reality (ELEONORA AGOSTINI)
Social Mobility and Beyond Language (MELANIE JACKSON)
Revealing Histories and Gender Variations (JULIET JACQUES)
Unwavering Sensitivity and Valuing Confusion (ANNA CLEGG)
Absent Mothers and Colonised Bodies (OLUKEMI LIJADU)
Suppressed Voices and Transformative Communities (RORY PILGRIM)
Word Play and Multiple Meanings (ANNA BARHAM)
Resistance Acoustics and Hopeful Uprising (MIKHAIL KARIKIS)
Arbitrary Traditions and Alien Observations (ROSIE GIBBENS)
Cultural Fear and Self Permission (CERI HAND)
Second Bodies and Talking Ice (SUSAN SCHUPPLI)
Disconnected Characters and Contradictory Spiritualism (SOPHIE RUIGROK)
Dark Humour and Watery Figures (NICOLA BEALING)
Slow Dancing and Fluid Encounters (FLORENCE PEAKE)
Channelling Spirits and Excluded Histories (JENNIFER HIGGIE)
Rural Reality and Complex Systems (KATIE PRATT)
CULTURE EXCHANGE - Artistic Protest and Rightful Sovereignty (PAOLA BALLA)
CULTURE EXCHANGE - Female Resilience and Bodily Playgrounds (INGRID BERTHON-MOINE)
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