Guest artist ELEONORA AGOSTINI joins PELUMI ODUBANJO to discuss her art practice via 'Boxes', a short story featured in 'Elephant and Other Stories' 1998 Collins Harvill. Written by Raymond Carver and originally published in The New Yorker, the story explores connections, disillusion, powerlessness, worry and loss within a mother and son relationship, as well as the distance between listening and hearing.
ELEONORA and Pelumi's discussion encompasses immortality, microcosmos, waitressing, belonging, mothers, self representation, the grid, family frictions, bitter endings, creepy observation, archival images, being deeply uncomfortable, hiding in bushes, multiple layers of meaning, the complicated teenage years, difficulty bringing closure to relationships, connections between pictures and performance, and not wanting to be the dictator of the image.
@eleonoraagostini
eleonoraagostini.com
Foam Talent 2024-2025
Bloomberg New Contemporaries, 2019
'A Study of Waitressing'
'A Blurry Aftertaste' 2018
'Laying with Strangers'
'Welcome Sir'
'How to Stand in Front of the Camera'
'How to Stand in Front of the Client'
'Notes for my Clients'
'The Steps'
@pelumi.odubanjo
ARTISTS
Olukemi Lijadu
Ragnar Kjartansson
WRITERS
John Cheever
Raymond Carver
GALLERIES & INSTITUTIONS
Barbican
Borough Road Gallery 'With Monochrome Eyes' 2020
Palais de Tokyo
Royal College
Symbolic Prose and Personal Politics (HELEN JOHNSON)
Social Mobility and Beyond Language (MELANIE JACKSON)
Revealing Histories and Gender Variations (JULIET JACQUES)
Unwavering Sensitivity and Valuing Confusion (ANNA CLEGG)
Absent Mothers and Colonised Bodies (OLUKEMI LIJADU)
Suppressed Voices and Transformative Communities (RORY PILGRIM)
Word Play and Multiple Meanings (ANNA BARHAM)
Resistance Acoustics and Hopeful Uprising (MIKHAIL KARIKIS)
Arbitrary Traditions and Alien Observations (ROSIE GIBBENS)
Cultural Fear and Self Permission (CERI HAND)
Second Bodies and Talking Ice (SUSAN SCHUPPLI)
Disconnected Characters and Contradictory Spiritualism (SOPHIE RUIGROK)
Dark Humour and Watery Figures (NICOLA BEALING)
Slow Dancing and Fluid Encounters (FLORENCE PEAKE)
Channelling Spirits and Excluded Histories (JENNIFER HIGGIE)
Rural Reality and Complex Systems (KATIE PRATT)
Gender Entrapment and Performative Mythologies (ANNA PERACH)
CULTURE EXCHANGE - Artistic Protest and Rightful Sovereignty (PAOLA BALLA)
CULTURE EXCHANGE - Female Resilience and Bodily Playgrounds (INGRID BERTHON-MOINE)
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