On this episode, the boys dedicate half the runtime to the Behringer Vintage Time Machine - a guitar pedal they adore, despite it being a copy of my a more expensive Electro Harmonix one. Chris teaches you a bit about how delay works, and how it can add to your overall sound, no matter what instrument you play.
Plus they review new music from Emma Elisabeth, Bon Iver, and Son of a Pixel, as well as catching up with the funky 'Superbloom' by Misterwives.
There's a tonne of fun in the Fact or Fiction segment too, this week focusing on classic rock myths. Got any Fact or Fiction questions for the guys? Send them in via Instagram or Facebook.
Oh, and there's a bit of talk about dildos and sponsorship. It's weird, but it passes within a few minutes.
Music on this episode
The final BPM Pod
New music, Fact or Fiction, Phileas interview
Does a city shape a sound?
Interview: Phileas
Music we love, Weinhardt’s new song ’Prism’, and Chris’s gear clearout
Interview: Hollow Frames
Bonus quickie: Heavy Heavy’s new single ’Too High To Cry’
Interview: Mischka (Michaela Tomanikova)
The forgotten episode: Sounding like The Black Keys, tape delay nerdiness, and music we love
Interview: Inspectre
DIIV live in Malmö review
Music we love, DIIV live review, and analogue vs. digital sounds contest
Music recommendations: Father Moon, Tara C Taylor, Sea Colour, Skovron, D $ahin, and Jerry Joseph
How to make a jingle, from writing to recording (with added linseed)
Vanda Essay, Dreamtheater and Drive-By Truckers gig reviews, plus musings on the pro vs. amateur musician labels
Interview: Annalisa Lombardo
Interview: Emma Elisabeth takes us to ’Some Kind of Paradise’
Welcome to Season 2
Vanda Essay, Shadow of the Colossus & DOOM soundtracks, and a drum mixing education
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