From the invention of Plasticine by William Harbutt in Britain in 1897 to the use of malleable materials in the earliest stop-motion ‘trick films’ of Edwin S. Porter, J. Stuart Blackton, and the Fleischer Brothers, the application of clay in animation has a history as long as the medium itself. In Footnote #31 of the podcast, Chris and Alex deliberate the evolution of clay animation, including the patenting of ‘Claymation’ in the early-1980s and its emergent synonymy with the Bristol-based Aardman studio; distinctions between more freeform and fluid clay animation and the moveable, modelled bodies of Wallace and Gromit; and how this craft-based handmade style came to embody (and continues to define) the Aardman studio’s animated spirit in an era of pervasive and pristine computer graphics.
**Fantasy/Animation theme tune composed by Francisca Araujo**
Footnote #47 - Aura
Toy Story (1995) (with Lucy Fife Donaldson)
Footnote #46 - Multiplanarity
Indiana Jones and the Dial of Destiny (2023) (with Sarah Thomas)
Footnote #45 - The Disney Renaissance (with Peter Kunze)
Beauty and the Beast (1991) (with Peter Kunze)
Footnote #44 - Hanna-Barbera (with Jared Bahir Browsh)
The Flintstones (1960-1966) (with Jared Bahir Browsh)
Footnote #43 - Disney Princesses (with Robyn Muir)
Wish (2023) (with Robyn Muir)
Footnote #42 - Tolkien’s On Fairy Stories
The Lord of the Rings: The Return of the King (2003)
Footnote #41 - Canons
Life, Animated (2016) (with Janet Harbord)
Footnote #40 - Puppetry
The Dark Crystal (1982) (with Tanya Kirk)
Arthur Christmas (2011)
Footnote #39 - Special Effects
Disney: A Tale of Technology and Innovation (Live at the British Film Institute) (with Chris McKenna)
Footnote #38 - Storybook Openings
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