As we move further into the 1950s, we're entering the doldrums of the Pulitzer Prizes, where few winners have entered the repertoire. Gail Kubik was a phenomenon in his day, writing equally well for the concert hall and the movie theatre. His Symphony Concertante began life as a film score before he extracted themes to craft this work featuring viola, trumpet, and piano. So why have you never heard of the work or, most likely its creator?
If you'd like to learn more about Kubik, we recommend:
Bonus: An Interview with Howard Pollack
Episode 49 - 1991: Shulamit Ran, Symphony
Episode 48 - 1990: Mel Powell, Duplicates
Episode 47 - 1989: Roger Reynolds, Whispers Out of Time
Bonus: An Interview with William Bolcom
Episode 46 - 1988: William Bolcom, Twelve New Etudes
Bonus: An Interview with John Harbison
Episode 45 - 1987: John Harbison, The Flight Into Egypt
Episode 44 - 1986: George Perle, Wind Quintet IV
Episode 43 -1985: Stephen Albert, Symphony RiverRun
Episode 42 - 1984: Bernard Rands, Canti del Sole
Bonus: An Interview with Ellen Taaffe Zwilich
Episode 41 - 1983: Ellen Taaffe Zwilich, Symphony No.1 (Three Movements for Orchestra)
Episode 40 - 1982: Roger Sessions, Concerto for Orchestra
Episode 39 - 1981: No Winner
Episode 38 - 1980: David Del Tredici, In Memory of a Summer Day
Episode 37 - 1979: Joseph Schwantner, Aftertones of Infinity
Episode 36 - 1978: Michael Colgrass, Déjà Vu
Episode 35 - 1977: Richard Wernick, Visions of Terror and Wonder
Episode 34 - 1976: Ned Rorem, Air Music
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