What happens if you or your band is good, like—really good? You get SIGNED. A record contract! You've made it!....or did you? The fact that major label contracts aren’t particularly fair is well known, but what if they’re doing more than just ripping off artists and an empty promise? In his recent book, “Getting Signed: Record Contracts, Musicians, and Power in Society,” Scholar David Arditi argues that label contracts are actually a key element in an ideological system that structures popular music, one that stretches from the Grammys or The Voice to your local Battle of the Bands and the basic assumptions of friends and family. Taking a long hard look at one of the central building blocks of the modern music industry, Arditi helps Sam and Saxon think through why labels retain their power despite changing technology—and how that landscape could shift in the future.
Karaoke and Personal Pop
Millennials Nostalgia Tour
Keep on Streamin’ in the Free World
A Living Wage and a Tik Tok Ban: Could…Congress Transform Music?
Imagine Dragons: The Most Popular Band of the Millennium?
Universal VS. TikTok: The Showdown No One Should Have Wanted
Pitchfork, GQ, and the Music Criticism Lifestyle
Royalty Rumble at Spotify and a Crisis at Hipgnosis
BMI Sells Out
Can You Actually Support This Podcast On Patreon? (w/Penny Fractions)
E-Zoo and the Future of Nightlife
Bandcamp Blues: (Penny Fractions 4 Nothing)
Scooter, Baby! The Life and Times of the Most 2010’s Manager You Can Possibly Imagine
Moog’s World: The Story Behind the Synthesizer Behind Modern Music (feat. Albert Glinsky)
State of Pl-A(i) With Cherie Hu
Astroworld and the opposite of ”Utopia”
Super Fans and Super Strikes
Ambient Music: Functionality and Liberating Potentials
K-Pop Merger Mania (feat. the Idolcast)
Merlin and What It Means (and Meant) to be Indie
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