Mixology: The Mono/Stereo Mix Differences Podcast
Music:Music Commentary
Hello Friends! We're finally taking time out with Gerry and The Pacemakers on Mixology this week, with a look at the soundtrack LP from the group, Ferry Cross The Mersey. Issued in mono and stereo, this album included 9 originals from the group, plus three other cuts produced by George Martin from The Fourmost, Cilla Black, and The George Martin Orchestra. This fantastic beat collection features some huge differences in editing and vocal mixing, as well as a general balance difference between the mono and stereo, making a break down like this shockingly essential. So let's hop on the Ferry and find out Why Oh Why mono is the way forward here...
Happy Listening,
Frederick
Summer Days (and Summer Nights!!) by The Beach Boys
Blaze by Herman's Hermits
River Deep-Mountain High by Ike & Tina Turner
Take Me For What I'm Worth by The Searchers
(The Validity of) Friends (in Mono) by The Beach Boys
The Andy Williams Christmas Album by Andy Williams
1962-1966 & 1967-1970 (Remixed and Expanded Editions) by The Beatles
Waiting For The Sun by The Doors
Kinks by The Kinks
Ogden’s Nut Gone Flake by Small Faces
The More I See You by Chris Montez
Horizontal by Bee Gees
Hums of The Lovin’ Spoonful by The Lovin’ Spoonful
Begin Here by The Zombies
Beatles for Sale by The Beatles
The Who Sell Out by The Who
The Mamas and The Papas (Cass.John.Michelle.Dennie) by The Mamas and The Papas
Disraeli Gears by Cream
Smiley Smile by The Beach Boys
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