This week we take you back in time to a moment that…in a lot of ways(?) seems sort of like today. Technology was changing incredibly quickly, artists were hopping between platforms to reach their audiences, and corporate consolidation was remaking the music industry. Welcome to the 1920’s. Professor Kyle Barnett discusses his book "Record Cultures: the Transformation of the U.S. Recording Industry" and takes us through the early years of the record industry. We trace the rise and fall (and rise) of the major labels as they moved through the jazz age and great depression, and ultimately lay the foundation for the systems that we know and love/hate. Also, Saxon and Sam dust off their understanding of Romanticism to try and figure out why the music industry gets so little critical attention.
Karaoke and Personal Pop
Millennials Nostalgia Tour
Keep on Streamin’ in the Free World
A Living Wage and a Tik Tok Ban: Could…Congress Transform Music?
Imagine Dragons: The Most Popular Band of the Millennium?
Universal VS. TikTok: The Showdown No One Should Have Wanted
Pitchfork, GQ, and the Music Criticism Lifestyle
Royalty Rumble at Spotify and a Crisis at Hipgnosis
BMI Sells Out
Can You Actually Support This Podcast On Patreon? (w/Penny Fractions)
E-Zoo and the Future of Nightlife
Bandcamp Blues: (Penny Fractions 4 Nothing)
Scooter, Baby! The Life and Times of the Most 2010’s Manager You Can Possibly Imagine
Moog’s World: The Story Behind the Synthesizer Behind Modern Music (feat. Albert Glinsky)
State of Pl-A(i) With Cherie Hu
Astroworld and the opposite of ”Utopia”
Super Fans and Super Strikes
Ambient Music: Functionality and Liberating Potentials
K-Pop Merger Mania (feat. the Idolcast)
Merlin and What It Means (and Meant) to be Indie
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