This week I spoke to film editor Maya Maffioli. Maya completed an MA in editing at NFTS. It was there she met Michael Pearce and went on to edit his BAFTA-winning debut feature film Beast. We discussed how Maya even knew that editing was a career path, why there are still so few female editors, how she got an agent and who she counts as editorial influences.
#138: Georgia Goggin returns!
#137: Desiree Akhavan, Director, Writer, Actor
#136: Moss Barclay, Executive Producer for TV at See-Saw Films
#135: Leo Anna Thomas, Wellbeing Facilitator
#134: Farhana Bhula, Head of Creative at Film4
#133: Vicki Brown, Senior Executive of Sales & Distribution at BFI
#132: Tricia Tuttle, Head of Directing Fiction at NFTS
#131: Uzma Hasan, Producer
#130: Laura Zempel, Editor
#129: Clare Baines, Disability Equality Lead at BFI
#128: Cassandra Johnson-Bekoe, Writer, Producer, Script Editor & Head of Development at DARE Pictures
#127: Emma Obank, Talent Agent at Casarotto Ramsay & Associates
#126: Sophia Hardman, Foley Editor & Mixer
#125: Helen Gladders, Producer
#124: Eve Gabereau, Founder & MD of Modern Films
#123: Jeanie Igoe, producer
#122: Hanna Flint, Critic, Author & Broadcaster
#121: Ines Adriana, Sound Designer & Mixer
#120: Lucy Bright, Music Supervisor
#119: Olive Nwosu, Filmmaker
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