Varn Vlog

Brandon Lightly on the Mass LIne and New Democracy, Part 2

In part two of our deep dive into China (and part four of our socialist organization series), we break down how Mao attempted to dialectically sublate a national front and a united front. We explore the structural inclusion of the "patriotic national bourgeoisie" into the block of four classes (symbolized by the stars on the Chinese flag) and contrast it with classical Soviet developmental theory and orthodox Marxism.We also dive into:- The historical debate between Chen Duxiu, Li Dazhao, Lenin, and Trotsky.- Why modern "Hoxhaists" and Left Communists consider New Democracy to be revisionist.- The evolution of class structures under Deng Xiaoping and Jiang Zemin's "Three Represents" doctrine (allowing billionaires into the Party).- The reality of modern China's development: Is it a transitioning socialist project, or an hyper-competent form of state capitalism and developmental liberalism?Don't forget to like, subscribe, and hit the notification bell for Episode 5, where we pivot to National Frontism and National Bolshevism.Journal ArticlesDirlik, A. (1970). The ideological foundations of the Chinese Revolution. Journal of Contemporary History, 5(3), 39–54.Dittmer, L. (1977). Line struggle: Notes on its organizational context and theoretical development. Modern China, 3(3), 303–312.Fogel, J. A. (1980). Ai Siqi, establishment intellectual by Joshua A. Fogel. Modern China, 6(1), 23–47.Hammond, E. R. (1978). Marxism and the mass line [Doctoral dissertation, University of California, Berkeley]. ProQuest Dissertations and Theses Global.Korolev, A. (2017). De-ideologized mass line, regime responsiveness, and state-society relations. China Review, 17(2), 7–36.Lyman, S. V. (1970). The Chinese Communist Party in the United Front, 1937–1945 [Doctoral dissertation, University of California, Berkeley]. ProQuest Dissertations and Theses Global.Mazur, M. G. (1995). The United Front of the 1940s: A social and cultural perspective. Modern China, 21(4), 431–456.Selden, M. (1971). The Yenan Way in revolutionary China. The China Quarterly, (45), 263–294.Steiner, H. A. (1951). Current mass line tactics in Communist China. The Annals of the American Academy of Political and Social Science, 277(1), 422–436.Teiwes, F. C. (1978). The origins of rectification: Inner-party purgation in the 1930s. The China Quarterly, (74), 181–201.Tokuda, N. (1971). The mass line during the Yenan period. The China Quarterly, (47), 1–18.Townsend, J. R. (1967). Political participation in Communist China. University of California Press.Womack, B. (1980). The phase of de-Maoization in China. China Report, 16(1), 7–21.Womack, B. (1991). Mao Zedong and the sinification of Marxism. The China Quarterly, (126), 1–15.Young, G. (1980). On New Democracy and the transition to socialism. Modern China, 6(1), 3–22.Books & Primary SourcesCoble, P. M. (2023). The collapse of Nationalist China: How Chiang Kai-shek lost China’s civil war. Cambridge University Press.Elbaum, M. (2018). Revolution in the air: Sixties radicals turn to Lenin, Mao and Che. Verso Books.Hirata, K. (2024). Making Mao’s steelworks: Industrial Manchuria and the transnational origins of Chinese socialism. Cambridge University Press.Karl, R. E. (2010). Mao Zedong and China in the twentieth-century world: A concise history. Duke University Press.Li, H. (2024). Fighting on the cultural front: U.S.-China relations in the Cold War. Columbia University Press.Lin, C. (2019). Mass line. In C. Sorace, I. Franceschini, & N. Loubere (Eds.), Afterlives of Chinese Communism: Political concepts from Mao to Xi (p. 122). ANU Press.Lovell, J. (2019). Maoism: A global history. Knopf Doubleday Publishing Group.Lowe, D. M. (1966). The function of "China" in Marx, Lenin, and Mao. University of California Press.Mao, Z. (1940). On New Democracy. Marxists Internet Archive.Mao, Z. (1977). A critique of Soviet economics. Monthly Review Press.Moufawad-Paul, J. (2016). Continuity and rupture: Philosophy in the Maoist terrain. Zero Books.Schram, S. R. (Ed.). (2005). Mao’s road to power: Revolutionary writings 1912–1949: Vol. VII. New Democracy, 1939–1941. M.E. Sharpe.Zheng, Q. (Ed.). (2020). An ideological history of the Communist Party of China (Vol. 2) (L. Sun & S. Bryant, Trans.). Royal Collins Publishing Group.Send us Fan Mail Musis by Bitterlake, Used with Permission, all rights to BitterlakeSupport the showCrew:Host: C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @varnvlogblue sky: @varnvlog.bsky.socialYou can find the additional streams on YoutubeCurrent Patreon at the Sponsor Tier: Jordan Sheldon, Mark J. Matthews, Lindsay Kimbrough, RedWolf, DRV, Kenneth McKee, JY Chan, Matthew Monahan, Parzival, Adriel Mixon, Buddy Roark, Daniel Petrovic,Julian, Drea, Free Beer 

Writing and Revolution: Cultural Production vs. Neoliberal Aesthetics with Sudip Bhattacharya

How does ruling-class hegemony quietly dictate the boundaries of our creative imagination? Can art still serve as a weapon for genuine political transformation, or has it been entirely neutralized by capitalist realism? In this episode of Varn Vlog, regular guest Sudip Bhattacharya returns to dissect the profound relationship between literature, cultural production, and power.We begin the conversation by addressing contemporary cultural blockages before zooming out to analyze the structural landscape of modern storytelling. Drawing from deep Marxist theory, Gramscian notions of cultural hegemony, and literary criticism, Sudip maps out how the contemporary publishing industry and academic creative writing spaces systematically steer writers away from systemic, macro-level critiques. Instead, modern narratives are frequently flattened into hyper-individualized, therapeutic accounts of trauma that accommodate—rather than challenge—the status quo.We also dive into the concept of "combat literature" and revolutionary writing. Together, we examine how radical movements historically utilized the novel, the essay, and the poem to construct counter-hegemonic worldviews. Sudip shares insights from his own work on writing and revolution, parsing how artists can break free from neoliberal aesthetic traps to revitalize an art form capable of genuinely imagining alternative futures.Whether you are an aspiring writer, a student of critical theory, or someone deeply invested in the intersection of radical politics and art, this wide-ranging dialogue offers an indispensable framework for navigating cultural production today.✨ Read more of Sudip Bhattacharya’s essays on his Substack, featuring deep dives into combat literature and the mechanics of writing and revolution!: https://sudipbhattacharya.substack.com/Send us Fan Mail Musis by Bitterlake, Used with Permission, all rights to BitterlakeSupport the showCrew:Host: C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @varnvlogblue sky: @varnvlog.bsky.socialYou can find the additional streams on YoutubeCurrent Patreon at the Sponsor Tier: Jordan Sheldon, Mark J. Matthews, Lindsay Kimbrough, RedWolf, DRV, Kenneth McKee, JY Chan, Matthew Monahan, Parzival, Adriel Mixon, Buddy Roark, Daniel Petrovic,Julian, Drea, Free Beer 

The Cultural Marxism Myth with A.J.A. Woods

Where did the "Cultural Marxism" talking point actually originate? How did obscure 20th-century sectarian group battles evolve into the foundation of today's right-wing culture wars? In this episode of Varn Vlog, we sit down with Dr. A.J.A. Woods to dissect the bizarre, interconnected history of political paranoia, conspiracy culture, and the weaponization of critical theory. Dr. Woods—a PhD graduate from the Centre for the Study of Theory and Criticism—joins the show to trace the genealogical lineages outlined in his book, The Cultural Marxist Conspiracy: Why the Right Blames the Frankfurt School for the Decline of the West. Together, we map how legitimate left-wing internal critiques of figures like Herbert Marcuse and Theodor Adorno were absorbed, rebranded, and mainlined into mainstream conservative media by the LaRouche movement, William S. Lind, and eventually Andrew Breitbart.We pull back the curtain on how these highly elaborate historical myths function as porous, left-right feedback loops. From the "Plato vs. Aristotle" secret histories of the 1970s to contemporary discussions surrounding "wokeness," Alexander Dugin, James Lindsay, and Jordan Peterson, we unpack how social media algorithms flatten intellectual nuances to spawn a new generation of conspiratorial thinking.Finally, we address the "Radical Chic" commodity of theory in academia, the historical distortion of Antonio Gramsci’s Prison Notebooks, and why the left's fixation on policing external myths often comes at the expense of addressing its own structural organizing failures.✨ Check out Dr. A.J.A. Woods' work and grab his book to explore the full intellectual history of modern political myths!Send us Fan Mail Musis by Bitterlake, Used with Permission, all rights to BitterlakeSupport the showCrew:Host: C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @varnvlogblue sky: @varnvlog.bsky.socialYou can find the additional streams on YoutubeCurrent Patreon at the Sponsor Tier: Jordan Sheldon, Mark J. Matthews, Lindsay Kimbrough, RedWolf, DRV, Kenneth McKee, JY Chan, Matthew Monahan, Parzival, Adriel Mixon, Buddy Roark, Daniel Petrovic,Julian, Drea, Free Beer 

A People’s History of the Mets: Urban Planning, Labor, and Radical Politics with A.M. Gittlitz

Why are the New York Mets the ultimate team of the working-class underworld? Author A.M. Gittlitz joins the channel to discuss his new book, Metropolitans, and pitch why leftists should actually care about sports.In this episode, we dive deep into the Mobius strip dynamic of sports, mass culture, and radical politics. Far from just a corporate monopoly, baseball has a long history as a battleground for popular power and control over our collective leisure time. We trace the lineage of the Mets from their 19th-century amateur roots through the turbulent 1960s, exploring how the team became an anti-elitist symbol coded in direct opposition to the financial elites of the New York Yankees.We also unpack the dark side of New York’s urban planning. Discover how "Master Builder" Robert Moses manipulated transit infrastructure around Shea Stadium to intentionally cut off public access from marginalized communities—shaping the geography of fandom we still inherit today. Whether you're a die-hard Mets fan or a Marxist skeptic of mass sports, this conversation breaks down the beautiful contradictions of a middle-class game captured by billionairesSend us Fan Mail Musis by Bitterlake, Used with Permission, all rights to BitterlakeSupport the showCrew:Host: C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @varnvlogblue sky: @varnvlog.bsky.socialYou can find the additional streams on YoutubeCurrent Patreon at the Sponsor Tier: Jordan Sheldon, Mark J. Matthews, Lindsay Kimbrough, RedWolf, DRV, Kenneth McKee, JY Chan, Matthew Monahan, Parzival, Adriel Mixon, Buddy Roark, Daniel Petrovic,Julian, Drea, Free Beer 

Cold War Cinema — History, Propaganda, and Left-Wing Film Analysis with Jason Christian & Tony Ballas

How did decades of geopolitical paranoia, nuclear anxiety, and state-sponsored propaganda completely reshape the landscape of global filmmaking? In this episode of Varn Vlog, we dive deep into the intersection of history and film with Jason Christian and Tony Ballas, the hosts of the Cold War Cinema podcast.From Hollywood blockbusters and hidden indie gems to the stark cinematic outputs of the Soviet bloc and divided Germany, our guests break down how the global standoff between capitalism and communism played out on the silver screen. We discuss the subtle (and not-so-subtle) ways governments weaponized art for ideological subversion, the lingering psychological weight of the nuclear age on directors, and how the tropes established during the Cold War continue to dictate modern media narratives today.We also explore the unique challenges of analyzing historical film through a critical, left-wing lens, sorting through the layers of censorship, blacklisting, and cultural memory that still distort how we view mid-century art. Whether you are a hardcore cinephile, a history buff, or a casual fan of classic cinema, this deep-dive conversation offers a fascinating look at the movies that defined an era.✨ Check out the Cold War Cinema podcast on all major audio platforms to explore their full catalog of film analyses!:  https://coldwarcinema.com/Send us Fan Mail Musis by Bitterlake, Used with Permission, all rights to BitterlakeSupport the showCrew:Host: C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @varnvlogblue sky: @varnvlog.bsky.socialYou can find the additional streams on YoutubeCurrent Patreon at the Sponsor Tier: Jordan Sheldon, Mark J. Matthews, Lindsay Kimbrough, RedWolf, DRV, Kenneth McKee, JY Chan, Matthew Monahan, Parzival, Adriel Mixon, Buddy Roark, Daniel Petrovic,Julian, Drea, Free Beer