The covermount CD is certainly a relic from a bygone era. We actually have a bag full of them, all acquired through various means, none of them worth anything.
But when was the covermount CD, or tape born, why, and what were the political and economic factors involved in magazines creating them, and artists getting on them? We break it all down in our episode on the history of the covermount CD with our good friend Crag Carrick, all the way from the land of Oz.
FROM THE VAULT: Episode 140 - The Ugly Organ by Cursive
Digital Ash in a Digital Urn by Bright Eyes w/ Kyle Wood from Lovers Turn to Monsters (Side C) - 308
Digital Ash in a Digital Urn by Bright Eyes w/ Kyle Wood from Lovers Turn to Monsters (Side B) - 307
Digital Ash in a Digital Urn by Bright Eyes w/ Kyle Wood from Lovers Turn to Monsters (Side A) - 306
FROM THE VAULT: Episode 210 - The Covermount Mixtape: Radio Kerrang! Vol. 5
The Unsung History of Turbofolk (Side D) - 305
The Unsung History of Turbofolk (Side C) - 304
FROM THE VAULT: Episode 71 - Weezer (White Album) by Weezer
The Unsung History of Turbofolk (Side B) - 303
The Unsung History of Turbofolk (Side A) - 302
FROM THE VAULT: Episode 145 - Mitch's Movie Mixtape (Side B)
Any Other City by Life Without Buildings (Side B) - 301
Any Other City by Life Without Buildings (Side A) - 300
FROM THE VAULT: Episode 144 - Mitch's Movie Mixtape (Side A)
Excavation by The Haxan Cloak (Side B) - 299
Excavation by The Haxan Cloak (Side A) - 298
FROM THE VAULT: Episode 93 - Turn on the Bright Lights by Interpol
New Adventures in Hi-Fi by R.E.M. (Side D) - 297
The Unsung History of R.E.M. (Side C) - 296
FROM THE VAULT: The Remote Part by Idlewild
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