Quentin Tarantino on How He Never Intended to Write a Book of Film History
Dani Shapiro on the Fifteen Year Journey of Signal Fires
David Maraniss on the Afterlife of Jim Thorpe
Ibram X. Kendi on Why Our Children Need to Be Told the Stories of Slavery and Colonialism
Jonathan Escoffery on How Nella Larsen’s Helga Crane Influenced His Debut Collection
Christopher M. Finan: How to Battle Book Banning in Your Own Community
Javier Zamora: You Can't Simply Make Art From Your Trauma to Heal Yourself
Dwyer Murphy on the Romantic Optimism in L.A. and South Florida Crime Novels
Monique Roffey: How to Write About Colonialism Without Talking About Colonialism
Blitz Bazawule on Why Crop Rotation Is The Perfect Metaphor For the Creative Mind
How Frank O'Hara Brought a Father and Daughter Closer Together
Geraldine Brooks on the Beauty of Implausible Truth
Ottessa Moshfegh: Why Do I Write About Such Darkness?
Mark Kurlansky: Why Short Stories are Pure Storytelling
Hernan Diaz: Why Are Novels About Wealth Almost Absent From the Literary Canon?
Alexander Maksik No Longer Condemns Metafictional Novels
Steve Almond on the Myth of Reaganism
Don Winslow Is Hopeful For the Future
Peter Balakian on How the Transmission of Trauma Across Generations Informs His Poetry
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