Daft Punk’s first album laid the groundwork for their robot personas, with four to the floor beats, programmed drum machines, and sequenced synthesizers. On their second album Discovery, Daft Punk fully lean into the artificial – singing through robotic vocoders that correspond with their now-iconic robot helmets.
But in there is a paradox, explored on episode 2 of Listening to Daft Punk: the more machine the robots become, the more human the music sounds.
Songs Discussed
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Aussie2Aussie: 5SOS on Tame Impala (with Luke Hemmings & Calum Hood)
The (murder) Ballad of Joe Exotic “Tiger King” (with Robert Moor)
D’Angelo and the Legacy of Voodoo (with Faith Pennick)
"Happy Birthday" is the Worst (with Anne-Marie)
Bad Bunny Has A Message For Your Mom
The Fire & Fury Of Overcoats
Can't Help Falling in Lauv (the interview)
What Happens When Justin Bieber Samples Your Music
Return Of The Guitar: Halsey, 5 Seconds of Summer, Joji
Look At Selena Gomez Now with Justin Tranter & Ian Kirkpatrick
Five Directions: How do the solo efforts of One Direction stack up?
Post Malone has us Running in Circles
Hopes and Fears of Mac Miller, Future, Drake, and Billie Eilish
Dua Lipa’s Disco Fever
ICYMI: Chance The Rapper, Kehlani, & The Shifting Sound of R&B — with Oak Felder
ICYMI: Billie Eilish is a Different Kind of Pop Star (ft. FINNEAS)
Dolly Parton's America (with Jad Abumrad)
Who's Afraid of the Sound of TikTok? (w Cat Zhang)
Paper Planes, Chandelier & What the #@%! is Timbre? (with Constance Grady)
Prelude & Feud on a 'G' Thang: Biggie vs Tupac
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