Love at first sight is not just a cliché of romantic comedies: more than half of all Americans say they’ve experienced it. Can this explain the timeless appeal of Puccini’s La Bohème? In this episode, host Rhiannon Giddens and her guests consider what love at first sight is really all about, sharing perspectives on the music, the history and, yes, the brain science. Plus, you'll hear tenor Vittorio Grigolo sing the complete aria "Che gelida manina" from the Metropolitan Opera stage.
Love and Other Drugs: Gounod's Roméo et Juliette
You Don't Own Me: The Myth and Magic of Bizet's Carmen
Revisiting Mozart’s Queen of the Night: Outrage Out of This World
Love Takes Flight: Catán's Florencia en el Amazonas
Davis’s X: The Life and Legacy of Malcolm X
Revisiting Gluck’s Orfeo ed Euridice: Don’t Look Back in Ardor
Good Things Come to Those Who Weep: Donizetti’s L’Elisir d’Amore
Death, Faith, and Redemption: Heggie’s Dead Man Walking
Aria Code Returns for Season 4!
P.S. I Love You: Renée Fleming Sings Tchaikovsky's Eugene Onegin
To Be Or Not To Be: Dean's Hamlet
Potion, Emotion, Devotion: Wagner's Tristan und Isolde
Blanchard's Fire Shut Up in My Bones: A Boy of Peculiar Grace
Verdi's Nabucco: By the Rivers of Babylon
Once More Into the Breeches: Joyce DiDonato Sings Strauss
Breaking Mad: Donizetti's Lucia di Lammermoor
Crisis in the Kremlin: Mussorgsky's Boris Godunov
Only the Good Die Young: Verdi's La Traviata
Guys and Dolls: Offenbach's The Tales of Hoffmann
Strauss's Elektra: Waltzing With a Vengeance
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