Australian cinematographer Ari Wegner ACS talks about working with director Jane Campion on The Power of the Dog including spending a year in pre, shooting New Zealand as 1920s Montana, and what it was like switching to a handheld camera style for some scenes with the always-in-character Benedict Cumberbatch.
Producer Offset explainer
Feature film Q&A: production, audiences and data
Writer/director Leah Purcell on her feature film debut
Everything you need to know about film marketing
Jennifer Peedom: making River and doco vs drama
Naomi Cleaver on producing NBCUniversal’s La Brea in Victoria
Sally Caplan on the Australian screen industry
What to pitch to Amazon Prime Video Australia
Fires, Hardball and production in 20/21
Dune director of photography Greig Fraser ACS, ASC
Nakkiah Lui: creating TV comedy Preppers
Producer Cody Greenwood on music licensing
Caitlin Yeo: composing the score for New Gold Mountain
Marc Fennell: The School That Tried to End Racism
Bevan Lee: writing Back to the Rafters for Amazon
Jon Bell: writing for genre
Michael Lucas: creating, producing and writing The Newsreader
Mithila Gupta: Five Bedrooms and writing for Australian TV
Stevie Cruz-Martin: from Pulse to The Tailings
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