Concerned that his movie about a former slave devoting his life to a white child’s emotional needs might be perceived as racist, Walt Disney hired known Communist Maurice Rapf to rewrite Song of the South. Rapf, the son of an MGM exec, was radicalized as a college student, and shortly after Song of the South was released, he was blacklisted. Today we’ll discuss Rapf’s life and career, and talk about how white leftists in Hollywood tried to subvert the industry’s racial status quo -- and how their mission to “make movies less bad” led to their own persecution.
This episode is sponsored by Parcast - Mythology (www.parcast.com/MYTHOLOGY).
111: Jean and Jane Become Public Enemies (Jean & Jane Part 6)
110: Jane vs "Barbarella" (Jean & Jane Part 5)
109: Jean vs "Lilith" (Jean & Jane Part 4)
108: Jean and Jane in Paris (Jean & Jane Part 3)
107: Jean and Otto Preminger/Jane in New York (Jean & Jane Part 2)
106: Hollywood Royalty/Middle-American Martyr (Jean & Jane Part 1)
105: Dorothy Stratten (Dead Blondes Part 13)
104: Barbara Loden (Dead Blondes Part 12)
103: Grace Kelly (Dead Blondes Part 11)
102: Barbara Payton (Dead Blondes Part 10)
101: Jayne Mansfield (Dead Blondes Part 9)
100: Marilyn Monroe: The End (Dead Blondes Part 8)
99: Marilyn Monroe: The Persona (Dead Blondes Part 7)
98: Marilyn Monroe: The Beginning (Dead Blondes Part 6)
97: Carole Landis (Dead Blondes Part 5)
96: Veronica Lake (Dead Blondes Part 4)
95: Jean Harlow Flashback (Dead Blondes Part 3)
94: Thelma Todd (Dead Blondes Part 2)
93: Peg Entwistle (Dead Blondes Part 1)
92: Six Degrees of Joan Crawford: Mommie Dearest
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