Right now, the two biggest records in the country come to us from two of hip-hop’s biggest superstars: Travis Scott and Post Malone. Both artists have been releasing mainstream records for nearly a decade; their records UTOPIA and AUSTIN, respectfully, sit at number one and two on the Billboard 200. But going further than the numbers, these albums signify a shift in these artists’ sounds, moving them out of their usual genres into previously uncharted territory in both of their careers. And as this is Post Malone’s fifth record and Travis Scott’s fourth, we also must ask: what does it mean to be a mid-career artist?
Songs discussed:
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Why it hurts to release a record (with Sylvan Esso)
Santigold sings Spirituals
The future of music pt I
Lady Gaga & The Pequeños Monstruos
Invasion of the Vibe Snatchers
Into It: Song of Summer 2022
Learning to love the Killers (maybe)
K-Pop Chartbreakers: BLACKPINK, Girls’ Generation, NewJeans, IVE
Demi Lovato Searches for "Substance" In Pop-Punk Perfection
Beyoncé's ‘Renaissance’ Era
Into It: The Business of Beyoncé
"It's About Damn Time" for Another Lizzo #1
Elvis, Big Mama Thornton, Doja Cat, and the Long Legacy of “Hound Dog”
We Won’t Go Back: Pop Music and the Fight For Reproductive Rights (w MILCK and Ann Powers)
Harry Styles and the Sledgehammer Horns
ICYMI: The 90s’ Most Unlikely Hit (with Baz Luhrmann)
Beyoncé's House
Robert Glasper on jazz, basketball, and his score for "Winning Time"
Scoring Stranger Things with Kyle Dixon & Michael Stein
Kate Bush, Stranger Things, and a hit song four decades in the making
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