Artificial intelligence tools for musicians are getting eerily good, very fast. Their work can be maddening, funny, ethically dubious, and downright fascinating all at the same time. TV and podcast composer Mark Henry Phillips joins to describe his experience working with them. We talk about the job of modern music composition; why he's worried AI might eventually do much of his current job; the morass of AI copyright law; and the ethics of creative ownership.But above all, Mark gets my brain...
Artificial intelligence tools for musicians are getting eerily good, very fast. Their work can be maddening, funny, ethically dubious, and downright fascinating all at the same time. TV and podcast composer Mark Henry Phillips joins to describe his experience working with them. We talk about the job of modern music composition; why he's worried AI might eventually do much of his current job; the morass of AI copyright law; and the ethics of creative ownership.
But above all, Mark gets my brain whirring about the nature of creativity—how great new ideas, like songs, come to be in the first place. The line between stealing and inspiration in artistic history has always been blurry. Picasso famously said: “Good artists copy, great artists steal.” And that is not just a memorable quote. Many of my favorite musicians were famous borrowers, to put it lightly. Some of Led Zeppelin's most famous songs—such as "Whole Lotta Love"—were such obvious lifts that, after years of court cases, the band agreed to add the plaintiff to the song credits.
But analogies to music and art history also fall short to capture the weirdness of this moment. Neither Picasso nor Jimmy Page had access to an external technology whose deliberate function was to slurp up musical elements from millions of songs, store their essence in silicon memory, and serve them up in a kind of synthetic stir fry on an order-by-order basis. Musicians have been writing music with partners for decades, even centuries. What happens to music when that partner is a machine: Will it open up new horizons in songwriting and composition? Or in a sad way, will super-intelligence make the future of music more average than ever?
Links:
WNYC: "How AI and Algorithms Are Transforming Music"
"In February's Cruel Light (Goodbye Luka)" Full AI song
"L.A. Luka (I Wanna Puke-uh)" Full AI song
P.S. Derek wrote a new book! It’s called 'Abundance,' and it’s about an optimistic vision for politics, science, and technology that gets America building again. Buy it here: https://www.simonandschuster.com/books/Abundance/Ezra-Klein/9781668023488
Plus: If you live in Seattle, Atlanta, or the Raleigh-Durham-Chapel Hill area, Derek is coming your way in March! See him live at book events in your city. Tickets here: https://www.simonandschuster.com/p/abundance-tour
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