Draft Zero: a screenwriting podcast
TV & Film
How and why should every scene have an emotional event?
For the first episode of our tenth anniversary year, we are joined by Judith Weston to talk about Emotional Events.
What is an emotional event? Well, it’s a way of thinking about scenes through relationships rather than plot. Instead of asking how a scene moves the plot forward, ask how the scene alters the relationship between characters. While emotional events are ostensibly a tool for directors to interpret scenes, we believe that the emotional event starts with the writer(s).
But it is an idea better illustrated through examples and discussion rather than sound bites. To that end, we breakdown scene from OPPENHEIMER, CASINO ROYALE (the Daniel Craig one), and PAST LIVES and explore how the emotional event is written (and not written) on the page.
Through a close reading of each scene, we talk about subtext, power dynamics, status transactions, tactics, beats and much much more. Because Chas, Stu and Judith are also reading the scripts there lot of discussion about table reads and how to get the most out of them.
For those unfamiliar with Judith, she is a famed teacher of writers, directors and actors with a focus on the directing or actors. Her books Directing Actors and The Film Director’s Intuition are basically industry standards.
You can find Judith Weston (and her books!) at her website: https://judithweston.com/web/
As always: SPOILERS ABOUND.
Thanks to Chris Walker for his excellent editing this episode.
As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.
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We are @stuwillis, and @chasffisher on twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.
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DZ-51: Antagonists! 3 - vs Nature
DZ-50: Antagonists! 2 - vs Self
DZ-49: Antagonists! 1 - vs Humans
DZ-48: One-Shot - Blade Runner 2049 – Agency vs Choice
DZ-47: Backmatter - A Lost Jedi, White Knighting, and Writers-On-Set
DZ-46: Structure & Point of View
DZ-45: Arguments of the Scene
DZ-44: Marvel - First Acts and Establishing Characters
DZ-43: Driving Sequences - Character and Plot Intensity
DZ-42: One-Shot - Split, Character Worldview & Macro POV
DZ-41: Theme and Worldview
DZ-40: Tactics and Scenes
DZ-39: Backmatter - Hitting LA, Receiving Feedback, and a Roguish One
DZ-38: Excelling at Exposition (Part 2)
DZ-37: Excelling at Exposition (Part 1)
DZ-36: Backmatter - Time Risk and Fixing Movies
DZ-35: Driving Characters or Character Driven?
DZ-34: Game of Choices - Decision Making and Character Implications
DZ-33: Protagonist vs Hero - Dawn of Character Function
DZ-32: High-Tension Sequences
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