One of the all-time most distinguished producers of independent film — who has somehow never received a best picture Oscar nomination, despite credits including 'Boys Don't Cry,' 'Far from Heaven' and 'Carol' — reflects on meeting Todd Haynes and abandoning early ambitions to become a director, how 'New Queer Cinema' came to be and why she still bets on first-time filmmakers like Celine Song.
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Tom Hanks - 'A Beautiful Day in the Neighborhood'
Bill Gates - 'Inside Bill's Brain: Decoding Bill Gates'
Margaret Qualley - ‘Fosse/Verdon’ & ‘Once Upon a Time in Hollywood’
Patricia Clarkson - 'Sharp Objects'
Remembering Peter Fonda (1940-2019)
Ben Stiller - 'Escape at Dannemora'
Josh Gondelman - 'Last Week Tonight' & 'Desus & Mero'
Lulu Wang - 'The Farewell'
Giancarlo Esposito - 'Better Call Saul'
David Crosby - 'David Crosby: Remember My Name'
George Schlatter - 'Still Laugh-In: The Stars Celebrate'
Rhea Seehorn - 'Better Call Saul'
Desus Nice and The Kid Mero - 'Desus & Mero'
David Letterman - 'My Next Guest Needs No Introduction'
Bob Mackie - 'The Cher Show'
Celia Keenan-Bolger - 'To Kill A Mockingbird'
Santino Fontana - 'Tootsie'
Aidy Bryant - 'Shrill' & 'Saturday Night Live'
Marie Kondo - 'Tidying Up with Marie Kondo'
Norman Lear - 'One Day at a Time' & 'Live in Front of a Studio Audience: Norman Lear's All in the Family and The Jeffersons'
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