Formed in 1968, the German group Can's founding members included Irmin Schmidt and Holger Czukay who had both studied under Karlheinz Stockhausen. Joined by jazz drummer Jaki Liebezeit, guitarist Michael Karoli and Japanese vocalist Damo Suzuki for the group's 'classic' line-up that recorded Tago Mago (1971) and Ege Bamyasi (1972), their fourth album - Future Days - saw them exploring a more ambient, blissed-out sound, in contrast to their previous releases. Matthew Sweet is joined by musicians Jah Wobble and Gwenno, novelist Alan Warner and cultural historian Mererid Puw Davies to take a deep dive into the album and explore the blend of influences that made Can such a unique musical proposition.
Producer: Torquil MacLeod
An expanded edition of Jah Wobble's autobiography Dark Luminosity: Memoirs of a Geezer is out on 7th March.
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Weird Viking Bodies
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Germany’s Mary Wollstonecraft
Scottish Kingship
Free speech, censorship and modern China
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Sleep justice and sleeplessness
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Francis Ford Coppola's The Conversation
Muses and women's creativity
Sarah Maldoror, Storm Jameson, the Hague Congress
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Hitchhiking
New Thinking: Stitching Stories
Myths, ships and history
The Condom and V.D.
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