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TIH 412: Cynthia Pelayo on Chicago, Writing About Villains, and Feeling Like You Don’t Belong
TIH 411: This Is Horror Awards 2020
TIH 410: Hailey Piper on Queen of Teeth, Post-Pandemic Horror Writing, and Unfortunate Elements of My Anatomy
TIH 409: Hailey Piper on The Possession of Natalie Glasgow, Benny Rose, the Cannibal King, and Making Horror Gay AF
TIH 408: Kev Harrison on Below, Fear of Horses, and The Importance of Travel
TIH 407: Kev Harrison on The Balance, Moving Abroad, and Writing Lessons
TIH 406: Jennifer Trudrung on The Nest, Here There Be Tygers, and Writing and Acting
TIH 405: Laurel Hightower on Crossroads, Hill House vs. Hell House, and Classic Horror Literature
TIH 404: Laurel Hightower on Whispers in the Dark, Shirley Jackson, and Growing Up in Kentucky
TIH 403: Antony Johnston on Resident Evil Village, Writing Horror Video Games, and Genre Tropes in The Fuse
TIH 402: Craig Clevenger on his Fourth Novel, Writing Each Story as if it’s Your Last, and Advice to Eighteen-Year-Old Self
TIH 401: Craig Clevenger on The Contortionist’s Handbook, Writing Dialogue, and Dermaphoria
TIH 400: Jeffrey Reddick on Final Destination, Don’t Look Back, and Social Commentary in Movies
TIH 399: Gwendolyn Kiste on Boneset & Feathers, Witches, and Optimism Winning
TIH 398: Cullen Bunn on Shadow Man, Harrow County, and The World’s Youngest Hypnotist
TIH 397: Cullen Bunn on The Damned, Marvel Comics, and Do’s and Don’ts for Comic Book Writers
TIH 396: Eden Royce on Spooklights, Young Adult vs. Middle-Grade Fiction, and Writing Two Novels at Once
TIH 395: Eden Royce on Root Magic, Southern Gothic Horror, and the Gullah-Geechee Nation
TIH 394: Sarah Pinborough on Behind Her Eyes, Dead to Her, and Selling Books for TV Adaptations
TIH 393: Wrath James White on Succulent Prey, Sex Addiction, and Collaborating with Edward Lee
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