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TIH 469: Will Carver on Suicide Thursday, The Daves Next Door, and Crop Circle Theories
TIH 468: Paul Tremblay on Unreliable Narrators, Writing Without Outlining, and Anxiety in Fiction
TIH 467: Paul Tremblay on The Pallbearers Club, Knock At The Cabin, and The Legend of Mercy Brown
TIH 466: Matthew Holness on Garth Marenghi’s TerrorTome, Darkplace, and Possum
TIH 465: Jason Pargin on If This Book Exists, You’re in the Wrong Universe, Crazy Technology, and Experimental Writing
TIH 464: Jason Pargin on TikTok, Pargin vs. Wong, and Curating Social Media Posts
TIH 463: Tyler Jones on Criterium, Burn The Plans, and Portraying Addiction
TIH 462: Tyler Jones on Beautiful Writing, Patrick deWitt, and Literary Agents
TIH 461: Tyler Jones on Early Life Lessons, Mark Rylance, and Collecting Books
TIH 460: Gemma Amor on Angry Robot, Artificial Intelligence, and Dear Laura Adaptations
TIH 459: Gemma Amor on Full Immersion, Turning Forty, and Setting Boundaries
TIH 458: Ronald Kelly on Fear, Zebra Books, and Storytelling Lessons
TIH 457: Ronald Kelly on Southern Fried and Horrified, Jack Logan Western Stories, and Writing Horror
TIH 456: Michael J. Seidlinger on My Pet Serial Killer, The Cecil Hotel, and Literary Agents
TIH 455: Michael J. Seidlinger on Anybody Home?, Likeable Characters, and Performing Selves vs. True Selves
TIH 454: Michael J. Seidlinger on Transgressive Fiction, Horror Video Games, and Replay Value with Books
TIH 453: Clay McLeod Chapman on Screenwriting, Whisper Down The Lane, and Satanic Panic
TIH 452: Clay McLeod Chapman on Ghost Eaters, What Is A Ghost, and Why Horror
TIH 451: Clay McLeod Chapman on Performative Reading, The Pumpkin Pie Show, and Early Life Lessons
TIH 450: Kevin Lucia on Clifton Heights, Charles L. Grant, and Cemetery Dance
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