Tales of a Red Clay Rambler: A pottery and ceramic art podcast
Arts:Visual Arts
Today on the show I talk with Malene Barnett. Her multimedia career spans design, studio art, and activism focusing on the influence and aesthetics of the black diaspora. In our interview we talk about designing textiles and interiors, taking a sabbatical to dive deep into ceramics, and founding the Black Artists + Designers Guild, a collective aimed at building equitable and inclusive creative culture. For more visit www.malenebarnett.com. Next week on the show we will broadcast a panel discussion that Malene moderated at this year’s NCECA conference.
Today’s episode is brought to you by the following sponsors:
The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com
Bray Clay www.archiebrayclay.com
373: Amy Smith on essentializing the figure for visual impact
372: Adrienne Eliades on using a die cutter for pattern making
371: Janet Koplos on criticism and What Makes a Potter
370: Ryan Wilson Kelly on using humor as an entry point for narrative sculpture
369: Cassils on the body as both material and tool in performance art
368: Paul Greenhalgh on how ceramics shaped civilization
367: Juan Barroso on using pointillism to tell immigration stories
366: Wendy Gers on curatorial activism
365: Mark Shapiro on 19th-century potter Thomas Commeraw
364: Natalia Arbelaez on activating ceramics through performance
363: Brett Kern on drawing from pop culture nostalgia to create his sculptures
362: Masa Sasaki on making a living as a potter
361: In Tribute: Christine McHorse on her evolution from traditional Pueblo pottery to sculpture
360: Jessica Putnam Phillips on using art to personalize military experience
359. Mandy Kolahi on guiding an inclusive community studio through a pandemic
358. Larissa Warren on the Wild Women and Wild Clay of Tamborine Mountain
357: Jason Sandy on Mudlarking the Thames River
356: Deb Schwartzkopf on her book Creative Pottery
355: Kate Roberts on the ephemeral nature of her sculpture
354: George Rodriguez on sculpture, personal identity, and community building
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