In episode 279, Kestrel welcomes Jono Salfield, the cofounder of Afends, to the show. A sustainability-focused brand based in Byron Bay, Australia, Afends recently started their own Hemp R&D facility – Sleepy Hollow Farm — delving into farming to grow their own hemp for future collections.
“Sustainability is just an evolution and being more innovative and looking at alternatives and trying things, to basically improve the way that we impact. Because we’re always gonna impact. And if you say that you’re not impacting, then you’re lying, really.” -Jono
We’ve definitely explored HEMP on past shows. We’ve explored the challenges in cultivating the fiber commercially, due to legislation that prevented that for the last century or so. We’ve talked about the many uses of the plant – from feeding to housing to healing to clothing you.
And this week, we’re talking about how to actually GROW THE PLANT for fiber production.
Our guest, Jono, is the cofounder of an Australia-based brand, Afends, and now, you could also say, a hemp farmer. Two things I very rarely encounter TOGETHER across my work in this space.
In 2021, he and his cofounder purchased nearby farmland to build a hemp R&D facility – Sleepy Hollow Farm. And recently, they harvested their first fiber, impressively growing enough to replace the hemp used in their current line. Throughout our chat, we get into the why, the how, the challenges and the wins they’ve experienced in their first foray into hemp farming.
But for real – how do you go from running a brand to buying farmland, getting your hands in the dirt and figuring out how to actually grow fiber!? As Jono tells us, “we kind of jump into the deep end a lot.”
I’d say so.
He shares more on why hemp is so freaking amazing (from both a farming and carbon-capture lens), the general process involved with retting and decordication, the challenges that still exist to turn the plant fiber into actual fabric, and more.
Quotes & links from the conversation:
“What we aim to do is show Australia, or even the rest of the world, that hemp is a fiber which can 1) be easily grown, 2) be potentially that next big fiber that can help decrease a bunch of the impacts that growing conventional cotton has.” -Jono (17:26)
“For us, looking at the farming from seed to skin was something really important to us, because yeah, you can go online and you can research everything until you’ve seen what everyone’s written. But I think there’s something really important about seeing things firsthand and discovering what it entails to do it yourself.” -Jono (17:55)
“The type of plant that we need to grow for textiles is fast-growing sativa plant, which we needed to get to maximum height and it needs to be super dense. The denser, the more plants in a small area, the better, because you’ll be able to grow more fiber, basically. Sourcing that seed was the first major challenge.” -Jono (20:18)
Retting Process = hemp gets cut down and left in the field to basically let the microbes start to help separate the fiber from the hurd
Decordication = separating the hurd from the fiber // the long stalk has fiber on the outside and hurd on the inside
“We’re not able to make that fiber into actual textiles in Australia, there’s just no facilities set up. So, we have to send it to China, to where we actually construct and make the textile material. And look, ideally, on a perfect sustainable level, everything’s just done within a few kilometers of where you’ve grown it, so the impact’s as small as possible. But, we’re not there yet.” -Jono (24:55)
“The other major positive behind it is that nothing goes to waste — especially when you’re growing fiber — because you’ve got this super dense field of really tall, stick-like plants, basically. There’s a little bit of leaf on top, but it’s not a thick cannibis plant with heaps of leaves and buds and stuff. But everything gets used. The hurd gets used for building, and then you’ve got the textiles from the fiber. So, the whole plant gets used. It’s quite incredible in that degree.” -Jono (29:03)
Watch *Weed Need Change* Hemp Docu-Series >
Afends Website >
Follow Afends on Instagram >
Scientist Dr. Lisa Erdle of 5 Gyres on what we know about microfiber shedding from clothing & the solutions can make an impact
Liz Spencer of Dogwood Dyer on growing organic natural dye gardens to coax color from plants & acknowledging the cultural origins of dyestuffs along the way
Researcher Anjana Baburaj on the pervasiveness of Shein & the ways in which social media and the drive to increase social status are directly fueling the overconsumption of clothing
Lizz Leral of Quilting For Community on the links between quilting and mental health, and how accessing the flow state via hand-oriented activities can help unlock answers to life's questions
Kelly Drennan of Fashion Takes Action on the importance of youth education that centers fashion's impact on people + the planet
Rayouf Alhumedhi, creator of the hijab emoji, on examining Gen Z's shopping behavior & highlighting why product designers should rethink existing product before designing new
Jeff Garner of Prophetik on how synthetic fabrics & toxic chemicals connected to our clothing are impacting our health
Jenna & Jon of Revival Eyewear on what makes deadstock vintage eyewear superior in quality & how conglomerate Luxottica has created a monopoly-like hold on today's glasses industry
Denica Riadini-Flesch of SukkhaCitta on rediscovering Indigenous regenerative farming and dyeing techniques & challenging the status quo
Abby Mills (aka @abbyontheinternet) on the de-influencing *trend* & questioning whether this movement can help us combat overconsumption
Samata Pattinson, the CEO of RCGD Global on their Sustainable Style Guide, how it's being distributed to all attendees of Academy events this Oscar® season & the power of generative conversations
Amy Powney of Mother Of Pearl on the new documentary *Fashion Reimagined* and the need to reconnect to the people, the land & the process behind our clothes
Trish Langman of Sovereignty on the need for comprehensive fashion education from childhood and beyond, to help collectively shift awareness about how our clothes are made
Sage Paul of Indigenous Fashion Arts on why thinking sustainably is innately an Indigenous cultural practice & why we must see Indigenous designers on a global stage
Doen's Director Of Impact Kristine Kim on their 2030 Roadmap & the importance of welcoming discomfort when navigating value chain impact work
Kelly Lottahall on making art out of old clothes and bringing the fashion & art worlds together to tell stories about *waste culture*
Angel Chang on why listening to Indigenous knowledge & preserving textile traditions can offer solutions for a more sustainable future
Kristin Morrison of All Species asks: what if we *embodied* our garments by actually wearing the land?
Katia Dayan Vladimirova on The Hot Or Cool Institute's new report, what a 1.5 degree wardrobe could look like & questioning how much is enough
What are *healthy clothes* & understanding that our clothing actually enters and impacts our bodies
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