Dodie Bellamy's "Bee Reaved;" and Mia Hansen-Love's on Bergman Island
Kelefa Sanneh's "Major Labels: A History of Popular Music in Seven Genres"
Cynthia Cruz’s “The Melancholia of Class: A Manifesto for the Working Class”
Betsy West and Julie Cohen: My Name is Pauli Murray
Amia Srinivasan: The Right to Sex
Maggie Nelson: "On Freedom: Four Songs of Care and Constraint"
Kaveh Akbar's "Pilgrim Bell"
Rachel Greenwald Smith On Compromise
Matthew Specktor’s “Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California”
Nawaaz Ahmed's Radiant Fugitives
Hogir Hirori, Director of Sabaya
Katie Kitamura's "Intimacies"
Rivka Galchen: Everybody Knows Your Mother is a Witch
Claire Fuller's Unsettled Ground
Zakiya Dalila Harris: The Other Black Girl
Davarian L. Baldwin: In The Shadow of the Ivory Tower: How Universities Are Plundering Our Cities
Kristen Arnett: With Teeth
Kate Zambreno: To Write As If Already Dead; & Susan Bernofsky: Clairvoyant of the Small
Joan Silber: Secrets of Happiness
Carol Anderson's The Second: Race and Guns in a Fatally Unequal America
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