In this episode, I talk about Robert Wise's 1963 cult classic, "The Haunting." It's based on Shirley Jackson's 1959 novel "The Haunting of Hill House," and stars Julie Harris as Eleanor Lance, a young woman who joins three people at a haunted house to investigate paranormal phenomena. Eleanor has spent over a decade caring for her invalid mother who has recently died. I explore how this film represents psychological disintegration and a woman searching for belonging as well as how the film uses sound and cinematography to create a frightening, claustrophobic atmosphere. At the beginning of the episode, I also talk about the recent news that Filmstruck is shutting down.
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Original artwork by Dhiyanah Hassan
Full Show Notes:
The Keepers, Big Little Lies, and Broadchurch
Elem Klimov's 'Come and See' (1985)
Ettore Scola's 'A Special Day' (1977)
Mathieu Amalric's 'Le Stade de Wimbledon' (2001)
Herk Harvey's 'Carnival of Souls' (1962)
Agnieszka Holland's 'The Secret Garden' (1993)
Lee Chang-dong's 'Poetry' (2010)
Andrea Arnold's 'Fish Tank' (2009)
Laura Citarella and Veronica Llinás's 'Dog Lady' (2015) and Notes on a Cinema of the Unruly Woman
Barbara Loden's 'Wanda' (1970)
Katell Quillévéré's 'Heal The Living' (2016) and Radu Jude's 'Scarred Hearts' (2016)
Vadim Perelman's 'House of Sand and Fog' (2003)
Sally Potter's 'The Tango Lesson' (1997)
Agnès Varda's 'Vagabond' (1985)
Two Made-For-TV Movies from the 1990s - Christopher Leitch's 'She Fought Alone (1995) and Marina Sargenti's 'Lying Eyes' (1996)
Alain Resnais's 'Hiroshima Mon Amour' (1959)
Abdellatif Kechiche's 'Blue is the Warmest Color' (2013)
Ken Loach's 'I, Daniel Blake' (2016)
Abbas Kiarostami's Koker Trilogy
Abbas Kiarostami's 'Where Is My Friend's House' (1987) and Mohammad-Ali Talebi's 'Willow and Wind' (2000)
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