In this episode, I talk about Lynne Littman's 1983 film, "Testament." It's about how a mother and her children in a California town survive the aftermath of a nuclear bombing. We don't know who dropped the bombs, what has happened in the rest of the country, and we're not provided any political details. The film is solely about this family and how they confront the gradual and horrifying deterioration of their bodies due to radiation poisoning and the breakdown of society. Without a doubt, this is the most terrifying film I have ever seen. I talk about grief and loss, what makes the film so emotionally powerful, and the difference between watching it before and during the Covid-19 pandemic. There are spoilers in this episode.
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Original logo by Dhiyanah Hassan
Full show notes:
My Sources
'Sharp Objects' Recap - Ep 1 and 2
Ingmar Bergman's 'Summer Interlude' (1951)
Jonathan Glazer's 'Birth' (2004)
John Cassavetes's 'A Woman Under the Influence' (1974)
Michael Haneke's 'The Piano Teacher' (2001)
Yasujiro Ozu's 'Late Spring' (1949)
Florian Henckel von Donnersmarck's 'The Lives of Others' (2006)
Guillermo del Toro's 'Pan's Labyrinth' (2006)
Donna Deitch's 'Desert Hearts' (1985)
Kathleen Collins's 'Losing Ground' (1982)
Ounie Lecomte's 'A Brand New Life' (2009)
Joanna Hogg's 'Unrelated' (2007)
Abbas Kiarostami's 'Close-Up' (1990)
Michelangelo Antonioni's 'L'avventura' (1960)
Agnès Varda's 'Cléo from 5 to 7' (1962)
Chris Marker's 'La Jetée' (1962)
Carl Theodor Dreyer's 'The Passion of Joan of Arc' (1928)
Ceyda Torun's 'Kedi' (2016)
Peter Weir's 'Dead Poets Society' (1989)
Larisa Shepitko's 'Wings' (1966) and 'The Ascent' (1977)
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