Today: The undoing of Kanye West. “We’re in deeply vile territory, and I can’t make intellectual sense of that,” Wesley Morris says about West, who now goes by Ye.
In 2004, when Ye released “College Dropout," he seemed to be challenging Black orthodoxy in ways that felt exciting and risky. But over the years, his expression of “freedom” has felt anything but free. His embrace of anti-Black, antisemitic and white supremacist language “comes at the expense of other people’s safety,” their humanity and their dignity, J Wortham says.
Wesley and J discuss what it means to divest from someone whose art, for two decades, had awed, challenged and excited you.
We Wouldn't Leave Kanye, But Should We?
We're Here For Your Anger, Jessica Walter
We’re Queer - and Apparently So Is Everybody Else
We Unpack Black Male Privilege
We Watch Whiteness
We Talk BeyChella
We Get It On (With Ourselves)
We Celebrate the REAL MLK Day
We’re Maxed Out, You’re Maxed Out, Everybody Is Maxed Out
We Love Aunties
We Don’t Love Everything Made By Black People and That’s OK?
We Paint the Town Obama
We Want To Know What Love Is
We Take the 15:17 All the Way to Pyeongchang
We Sink Our Claws Into "Black Panther" with Ta-Nehisi Coates
We'll See You Tomorrow
We Don't Know Where We Are
We're Still Here For Janet
We Have a Right To Be Mad
We Have a Theory About Oprah
Create your
podcast in
minutes
It is Free
The Modern West
The Daily
Modern Love
The Ezra Klein Show
Dear Sugars
1619