Today: The undoing of Kanye West. “We’re in deeply vile territory, and I can’t make intellectual sense of that,” Wesley Morris says about West, who now goes by Ye.
In 2004, when Ye released “College Dropout," he seemed to be challenging Black orthodoxy in ways that felt exciting and risky. But over the years, his expression of “freedom” has felt anything but free. His embrace of anti-Black, antisemitic and white supremacist language “comes at the expense of other people’s safety,” their humanity and their dignity, J Wortham says.
Wesley and J discuss what it means to divest from someone whose art, for two decades, had awed, challenged and excited you.
Obama’s Last Cultural Statement | Episode 13
The Brilliance of Kerry James Marshall | Episode 12
How to Survive Thanksgiving | Episode 11
The Reckoning | Episode 10
Dancing in the Moonlight | Episode 9
Nudity Clause | Episode 8
Peak Black TV | Episode 7
America, What You Doin’ Gurl? | Episode 6
A Journey to the 'Blacksonian' | Episode 5
Maintaining Higher Ground | Episode 4
RuPaul: 'Identity Is a Hoax, People!' | Episode 3
‘You Can’t Code Your Way Out of Racism’ | Episode 2
First Date | Episode 1
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