The more things change, the more they stay the same. Scheduling the workload for a show like Star Trek looked much the same way in 1968 as it did in 1988 and beyond. This week, The Trek Files welcomes back David Livingston to help us peer behind the curtain at the relationship between producers and directors.
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9-13 James Doohan interview - 1982
9-12 Contract Request Form - Directors - 1967
9-11 "A Price Far Above Rubies" beat sheet - 1989
9-10 "Pen Pals" memo - 1988
9-9 Distribution bucks - 1989
9-8 Fan letters - early 1970s
9-7 Proposed Stories by Hannah Shearer - 1987
9-6 Speech to the National Space Society - 1989
9-5 Letter of Recommendation from Gene Roddenberry - 1991
9-4 Gene Coon 'Star Trek' memo - 1967
9-3 Starfleet Academy - 1987
9-2 Genesis II fan letter - 1973
9-1 Writing for Star Trek is an Exercise in Agony
8-24 Possible Film Revisions - December 26, 1979
8-23 Starfleet Academy second draft - October 26, 1987
8-22 Apology letter to Gene Roddenberry - 1968
8-21 Star Trek budgets 1966 - 1967 - 1968
8-20 Star Trek season 3 writers memo - 1968
8-19 Makeup supplies memo - 1967-1968
8-18 "In Essence, Nothing" deal memo - 1968
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