John Dowland (1563 – 20 de febrero de 1626) fue un compositor y laudista inglés, uno de los músicos más famosos de su época
Paul R. O'Dette (born February 2, 1954, Pittsburgh, Pennsylvania, United States) is an American lutenist, conductor, and musicologist specializing in early music.
O'Dette began playing the electric guitar in a rock band in Columbus, Ohio, where he grew up. Eventually this led him into playing guitar transcriptions of lute music, and not long after that he opted for t...
John Dowland (1563 – 20 de febrero de 1626) fue un compositor y laudista inglés, uno de los músicos más famosos de su época
Paul R. O'Dette (born February 2, 1954, Pittsburgh, Pennsylvania, United States) is an American lutenist, conductor, and musicologist specializing in early music.
O'Dette began playing the electric guitar in a rock band in Columbus, Ohio, where he grew up. Eventually this led him into playing guitar transcriptions of lute music, and not long after that he opted for the lute (as well as the related archlute, theorbo, and Baroque guitar) as his primary instruments, and now he specializes in the performance of Renaissance and Baroque music. He has made more than 120 recordings, earning five Grammy nominations and numerous other awards. In addition to his activities as a performer, Paul O'Dette is an avid researcher, having worked extensively on the performance and sources of seventeenth-century Italian and English solo song, continuo practices and lute technique.
Since 1976, he has served as Professor of Lute and Director of Early Music at the Eastman School of Music. He is the Co-Artistic Director of the Boston Early Music Festival. He lives in Rochester, New York with his wife Christel Thielmann, who is also a baroque music specialist and Eastman professor.
Almain For Lute, P 51 (00:00) Pavana For Lute (02:29)
Mr Knights Galliard, P 36 (09:24) My Lord Willobes Wellcome Home, P 66 (11:02)
Frogg Galliard, P 23A (12:22) Fantasie For Lute, P 5 (15:53)
Lady Rich, Her Galliard, P 43 (18:13) Lady Laiton’s Almain, P 48 (19:51)
Dream, P 75 (21:12) Galliard, P 104 (26:20)
Orlando Sleepeth, P 61 (28:01) What If a Day, P 79 (29:28)
Winters Jomps, P 55 (30:55) Galliard, P 35 (31:48)
Mr Giles Hobie’s Galliard, P 29 (33:29) Dr. Cases Paven, P 12 (35:19)
Mellancholy Galliard, P 25 (40:14) Galliard, P 27 (42:36)
Mistris Whittes Thingz, P 50 (44:24) Go From My Window, P 64 (45:27)
Almain For Lute, P 49 (49:02) Mistris Whittes P 56 (50:14)
Pavane For Lute, P 18 (51:15) Galliard, P 30 (56:38)
Farewell Fantasia, P 3 (58:30)
Volume II
My Lady Hunsdons Puffe, P 54 (1:04:06) Solus Cum Sola, P 10 (1:05:28)
Susanna Fair Galliard, P 91 (1:09:56) Sir John Smith His Almaine, P 47 (1:11:46)
Robin, P 70 (1:14:14) Galliard, P 22 (1:18:07)
Pipers Pavan, P 8 (1:19:50) Pipers Galliard, P 19 (1:24:59)
As I Went To Walsingham (1:27:18) Monsieur’s Almain (1:32:42)
Mrs Brigide Fleetwoods Paven, P 11_ Solus Sine Sola (1:34:30)
First Galliard, P 20 (1:40:05) Farawell, P 4 (1:41:30)
John Dowland’s Galliard, P 21 (1:45:03) Aloe, P 68 (1:47:41)
Can She Excuse, P 42 (1:48:43) A Coye Joye, P 80 (1:50:17)
Mrs Vauxes Gigge, P 57 (1:52:37) Mrs Vaux Galliard, P 32 (1:53:32)
Sir Henry Guilford, His Almain (1:54:36) Mignarda, P 34 (1:56:31)
Lachrimae Pavan, P 15 (1:59:58) Galliard, P 26 (2:05:16)
Fantasia For Lute, P 1A (2:06:54)
Volume III
King Of Denmark, His Galliard, P 40 (2:10:44) Mr John Langton’s Pavan, P 14 (2:13:36)
Mr John Langton’s Galliard, P 33 (2:19:36) A Fancy, P 7 (2:22:16)
Pavan For Lute, P 16 (2:26:38) Queene Elizabeth Her Galliard, P 41 (2:32:01)
Mrs Cliftons Allmaine, P 53 (2:33:09) Lady Cliftons Spirit, P 45 (2:34:24)
Tarletones Riserrectione, P 59 (2:36:05) Tarleton’s Willy, P 81 (2:39:30)
Fortune, P 62 (2:41:04) Queenes Galliard, P 97 (2:43:31)
Wallsingham, P 67 (2:45:07) A Galliarde On Walsingham, P 31 (2:49:56)
Dowland’s Adieu For Master Oliver Cromwell (2:51:49)
Ferdinando Earle Of Derby His Galliard, P 44 (2:57:20)
Lord Strang’s March, P 65 (2:59:51) Mrs Nichols Almand, P 52 (3:01:25)
Forlorne Hope Fancye, P 2 (3:02:51) Mr Dowland’s Midnight, P 99 (3:06:43)
Semper Dowland Semper Dolens, P 9 (3:08:30)
Volume IV
Preludium, P 98 (3:15:52) A Fancy, P 6 (3:17:09) Lachrimae, P 15 (3:20:02)
Galliard To Lachrimae, P 46 (3:25:26) A Fantasia, P 71 (3:27:56)
An Almand, P 96 (3:33:38) Pavana, P 94 (3:35:04)
Robert, Earl Of Essex, His Galliard, P 42A (3:42:17)
A Galliard - Upon A Galliard By Daniel Bachelar, P 28 (3:44:01)
My Lord Wilobies Welcom Home, P 66A (3:47:20)
The Shoemakers Wife In A Toy, P 58 (3:48:43)
The Lord Viscount Lisle, His Galliard, P 38 (3:49:51)
Coranto, P 100 (3:52:42) A Galliard, P 82 (3:54:46)
The Lady Russells Paven, P 17 (3:56:40)
Galliard - On Awake Sweet Love, P 92 (4:01:43) The Frog Galliard, P 23 (4:03:31)
Volumen V : El genio de Dowland tuvo una influencia generalizada en la música de los lutenistas ingleses y continentales a principios del siglo XVII. Su música de laúd fue imitada y parodiada por una generación de músicos prominentes. El resultado es que excelentes piezas escritas por otros al estilo de Dowland sobreviven anónimamente en varios manuscritos isabelinos. Varias de las obras que se escuchan aquí se atribuyen a Dowland en las fuentes, pero es poco probable que hayan sido escritas por él.
A Fancy (4:05:32) Pavana Dowlandi Angli (4:08:56)
Douland’s Rounde Batell Galyarde (4:14:18) Pavin (4:15:54)
The Erle Of Darbies Galiard (4:21:28) Mistris Norrishis Delight (4:24:18)
A Jig (4:26:02) The Erle Of Essex Galliard (4:28:21)
Galliard (4:30:00) Une Jeune Fillette (4:31:40)
Gagliarda (4:37:03) Pavana Lachrimae (4:38:58)
Squires Galliard (4:45:00) A Fancy (4:46:54)
Hasellwoods Galliard (4:52:48) Sir Thomas Monson, His Pavin (4:54:26)
Sir Thomas Monson, His Galliard (5:00:33) Almande (5:02:43)
Sir Henry Umptons Funerall (5:05:14) Captayne Pipers Galliard (5:11:04)
A Fantasie (5:13:55)
Bonus : Tell me, true love (05:18:16)
Lute & Orpharion : Paul O’DETTE
Stéréo recordings in 1994-96, at Campion Center & Seiji Ozawa Hall, Massachusetts
Label : Harmonia Mundi
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